MovieBias

See all results for ""
BrowseAnalyticsAbout

Gentlemen Prefer Blondes (1953)

Gentlemen Prefer Blondes poster

Gentlemen Prefer Blondes (1953)

Overview

Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus' rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw, Esmond Sr. hires Ernie Malone, a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low

Viewer Rating
7.7

Overview

Lorelei Lee is a beautiful showgirl engaged to be married to the wealthy Gus Esmond, much to the disapproval of Gus' rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw, Esmond Sr. hires Ernie Malone, a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

Gentlemen Prefer Blondes receives a neutral rating because its central conflict, while touching on themes of materialism and gender roles, is presented as a comedic social satire rather than a political critique. The film observes and satirizes individual choices and societal dynamics without advocating for a specific ideological solution or systemic change.

The film features traditional casting with a predominantly white ensemble, reflecting the production era. Its narrative centers on traditional identities without offering critical portrayals or incorporating explicit diversity, equity, and inclusion themes.

Secondary

Gentlemen Prefer Blondes does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on heterosexual relationships and gender dynamics of the era, with no explicit or implicit representation of queer identities or experiences.

Gentlemen Prefer Blondes does not include any identifiable transsexual characters or themes. Instances of cross-dressing are purely for comedic effect or plot convenience, unrelated to gender identity. Therefore, the film has no net impact on the portrayal of transsexual individuals.

The movie does not contain any action or adventure elements.

The 1953 film "Gentlemen Prefer Blondes" adapts the original novel and musical. All main characters, such as Lorelei Lee, Dorothy Shaw, Gus Esmond, and Ernie Malone, retain their established genders from the source material in the film adaptation.

The 1953 film "Gentlemen Prefer Blondes" adapts the 1925 novel and 1926 stage play. The main characters, Lorelei Lee and Dorothy Shaw, were established as white in the source material and are portrayed by white actresses (Marilyn Monroe and Jane Russell) in the film. No characters experienced a change in race from their established canon.


Viewer Rating Breakdown

7.7

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
7.1
The Movie Database logo
7.3

Critic Ratings

Rotten Tomatoes logo
8.8
Metacritic logo
N/A

More Like This

The Seven Year Itch poster
Leans Traditional
7.5
The Seven Year Itch
 (1955)
Political: Center
Diversity: Low
Man's Favorite Sport? poster
Leans Traditional
6.7
Man's Favorite Sport?
 (1964)
Political: Center
Diversity: Low
Ball of Fire poster
Leans Traditional
8.2
Ball of Fire
 (1941)
Political: Center
Diversity: Low
White Christmas poster
Traditional
7.0
White Christmas
 (1954)
Political: Leans Right
Diversity: Low
High Society poster
Leans Traditional
7.2
High Society
 (1956)
Political: Center
Diversity: Low
Meet the Parents poster
Leans Traditional
7.4
Meet the Parents
 (2000)
Political: Center
Diversity: Low
Hello, My Name Is Doris poster
Leans Traditional
7.0
Hello, My Name Is Doris
 (2015)
Political: Center
Diversity: Low
Funny Girl poster
Leans Traditional
8.2
Funny Girl
 (1968)
Political: Center
Diversity: Low
An American in Paris poster
Leans Traditional
8.0
An American in Paris
 (1951)
Political: Center
Diversity: Low
42nd Street poster
Leans Traditional
7.9
42nd Street
 (1933)
Political: Center
Diversity: Low
Forgetting Sarah Marshall poster
Leans Traditional
7.2
Forgetting Sarah Marshall
 (2008)

Political: Center
Diversity: Low
LGBTQ: Neutral
Heaven Can Wait poster
Leans Traditional
7.3
Heaven Can Wait
 (1978)
Political: Center
Diversity: Low
The Tao of Steve poster
Leans Traditional
6.9
The Tao of Steve
 (2000)
Political: Center
Diversity: Low
Intolerable Cruelty poster
Leans Traditional
6.7
Intolerable Cruelty
 (2003)
Political: Center
Diversity: Low
Girl Shy poster
Leans Traditional
7.3
Girl Shy
 (1924)
Political: Center
Diversity: Low
The Major and the Minor poster
Leans Traditional
7.9
The Major and the Minor
 (1942)
Political: Center
Diversity: Low
Safety Last! poster
Leans Traditional
8.5
Safety Last!
 (1923)
Political: Center
Diversity: Low
Plus One at an Amish Wedding poster
Traditional
7.1
Plus One at an Amish Wedding
 (2022)
Political: Leans Right
Diversity: Low
City Lights poster
Leans Traditional
9.0
City Lights
 (1931)
Political: Center
Diversity: Low
Grease poster
Leans Traditional
7.0
Grease
 (1978)
Political: Center
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com