Viewer Rating
Combines user and critic ratings from four sources
Horror, Comedy, Thriller • 2026 • 106 min

A supernatural horror-comedy set inside an Indonesian prison, where an invisible force starts slaughtering inmates and forces rival gangs and corrupt guards into uneasy alliance. Director Joko Anwar uses the prison setting as a pressure cooker for critiquing systemic corruption, framing institutional rot as the real monster. The narrative leans Progressive because its sympathies run with the vulnerable and its villains are those who abuse power. A tenderly portrayed queer inmate character adds to that framing. The horror is laced with dark comedy, which softens the gore without defusing the critique. A family subplot gives the film some grounding warmth, but the dominant energy is satirical and socially pointed.
Abimana Aryasatya • Almanzo Konoralma • Aming Sugandhi
A supernatural horror-comedy set inside an Indonesian prison, where an invisible force starts slaughtering inmates and forces rival gangs and corrupt guards into uneasy alliance. Director Joko Anwar uses the prison setting as a pressure cooker for critiquing systemic corruption, framing institutional rot as the real monster. The narrative leans Progressive because its sympathies run with the vulnerable and its villains are those who abuse power. A tenderly portrayed queer inmate character adds to that framing. The horror is laced with dark comedy, which softens the gore without defusing the critique. A family subplot gives the film some grounding warmth, but the dominant energy is satirical and socially pointed.
Abimana Aryasatya • Almanzo Konoralma • Aming Sugandhi
The film's core subject of systemic corruption and environmental harm in Indonesian society carries inherent left-leaning valence as a critique of power imbalances that punish the vulnerable while protecting the corrupt; the narrative's solution of collective action and supernatural enforcement of consequences against negative auras reinforces this progressive framing over any conservative emphasis on individual responsibility or tradition.
Web searches returned no usable results or coverage for this specific film, preventing any determination of representation or narrative elements.
A minor queer inmate character named Novi is depicted with tenderness in a solo dance scene wearing high-heels, framed as a positive inclusion that contrasts the film's gore and satire. This affirming side portrayal contributes to an overall supportive net impact on trans/queer themes.
The film depicts minimal family content, limited to the protagonist inmate looking forward to reuniting with his family (including a son) after release and one emotional scene involving the son; family structures and norms are not explored or framed in any substantive way.
The film contains no identifiable LGBTQ+ characters or themes.
The movie does not contain any action or adventure elements.
Ghost in the Cell is an original horror-comedy set in an Indonesian prison featuring an invisible entity and inmate survival plot. No legacy characters, source material adaptations, or historical figures are involved, so no gender swaps occur.
Original Indonesian prison horror-comedy with no source material or prior canon establishing characters of a different race; all named roles are portrayed by Indonesian actors in an Indonesian setting.
Not depicted in the film.
Combines user and critic ratings from four sources























