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Drama, Romance • 1999 • 112 min

Set in 1930s Budapest, this German-Hungarian drama follows a restaurant owner, a pianist, and a waitress bound together in a three-way romantic arrangement, all while a mournful piano composition becomes linked to a wave of suicides across the city. The arrival of a German admirer during the Nazi era adds a darker historical layer. The film earns a Leans Progressive label for two main reasons: it portrays a polyamorous household, including a child of ambiguous parentage, as the emotional center of the story rather than a scandal; and it frames Nazi ideology and antisemitism as moral catastrophe through its characters' fates. Both signals pull in the same direction, making the label straightforward.
Joachim Król • Erika Marozsán • Stefano Dionisi
Set in 1930s Budapest, this German-Hungarian drama follows a restaurant owner, a pianist, and a waitress bound together in a three-way romantic arrangement, all while a mournful piano composition becomes linked to a wave of suicides across the city. The arrival of a German admirer during the Nazi era adds a darker historical layer. The film earns a Leans Progressive label for two main reasons: it portrays a polyamorous household, including a child of ambiguous parentage, as the emotional center of the story rather than a scandal; and it frames Nazi ideology and antisemitism as moral catastrophe through its characters' fates. Both signals pull in the same direction, making the label straightforward.
Joachim Król • Erika Marozsán • Stefano Dionisi
The film's narrative strongly condemns the atrocities of Nazism and antisemitism, focusing on the human cost of extreme right-wing ideology and the resilience of individuals facing persecution. This aligns with progressive values of social justice and anti-bigotry.
The movie features a cast that aligns with its historical and geographical setting, without intentional race or gender swaps for modern diversity initiatives. While the narrative portrays a traditional identity negatively, this is specific to the historical context of the Holocaust and does not constitute a broad, explicit critique of traditional identities in a contemporary DEI framework.
The film centers on a polyamorous relationship forming the core family unit, including the raising of a child with ambiguous paternity, which clearly endorses alternative family structures and sexual freedom over traditional norms.
The film portrays Jewish people and their suffering during the Holocaust with profound sympathy and respect. The narrative unequivocally condemns the antisemitism and atrocities directed against them, positioning the audience to empathize with the victims.
The film 'Gloomy Sunday' does not feature any identifiable LGBTQ+ characters or themes. The narrative primarily focuses on a heterosexual love triangle set against the backdrop of WWII Budapest, exploring themes of love, jealousy, suicide, and the Holocaust.
The film 'Gloomy Sunday, 1999' does not feature any identifiable transsexual characters or explore related themes. Its narrative centers on a complex heterosexual love triangle set against the backdrop of Budapest during the 1930s and 1940s, dealing with themes of love, jealousy, and the Holocaust, without any depiction of transsexual identity.
The movie does not contain any action or adventure elements.
The film is an adaptation of a novel, and its main characters are original to that source material. There is no evidence of any character being established as one gender in prior canon or history and then portrayed as a different gender in this film.
The film adapts a novel featuring fictional characters set in 1930s-40s Hungary. The on-screen portrayals of the main characters align with their implied or explicit racial and ethnic backgrounds as established in the source material and historical context, without any changes in race.
Not depicted in the film.
Combines user and critic ratings from four sources





















