7.7
Viewer Rating
Combines user and critic ratings from four sources
Grand Prix (1966)
Grand Prix (1966)
Overview
The most daring drivers in the world have gathered to compete for the 1966 Formula One championship. After a spectacular wreck in the first of a series of races, American wheelman Pete Aron is dropped by his sponsor. Refusing to quit, he joins a Japanese racing team. While juggling his career with a torrid love affair involving an ex-teammate's wife, Pete must also contend with Jean-Pierre Sarti, a French contestant who has previously won two world titles.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
7.7
Overview
The most daring drivers in the world have gathered to compete for the 1966 Formula One championship. After a spectacular wreck in the first of a series of races, American wheelman Pete Aron is dropped by his sponsor. Refusing to quit, he joins a Japanese racing team. While juggling his career with a torrid love affair involving an ex-teammate's wife, Pete must also contend with Jean-Pierre Sarti, a French contestant who has previously won two world titles.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a character-driven drama set in the world of Formula 1 racing, focusing on the personal and professional challenges of its drivers. Its narrative is overwhelmingly apolitical, concentrating on human drama and the spectacle of the sport rather than any ideological stance.
The film features a largely traditional cast for its time and setting, with no explicit race or gender swaps of traditionally white roles. Its narrative primarily focuses on the experiences of white, male protagonists without critiquing traditional identities or centering DEI themes.
Secondary
The film "Grand Prix" focuses on the lives and romantic entanglements of Formula One racing drivers. There are no identifiable LGBTQ+ characters or themes present within the narrative, which primarily explores heterosexual relationships and the competitive world of professional racing.
The film "Grand Prix" (1966) is a sports drama centered on Formula One motor racing and the personal lives of its drivers. There are no identifiable transsexual characters or themes present within the narrative or plot.
The film "Grand Prix" is a drama centered on Formula One motor racing and the personal lives of the drivers. It does not feature any scenes of physical combat, nor do any female characters engage in or win hand-to-hand fights against male opponents.
Grand Prix (1966) features an original story and characters, not adapting pre-existing material or historical figures with established genders. Therefore, no characters undergo a gender swap.
The film "Grand Prix" (1966) features original characters created for the movie, not based on pre-existing source material, historical figures, or prior installments. Therefore, there is no established canonical race for any character to be altered.
Viewer Rating Breakdown
User Ratings
7.2
7.2
Critic Ratings
9.2
7.2
More Like This
Traditional
6.7
Black Sunday
(1977)
Political: Leans Right
Diversity: Low
Traditional
7.1
Down to the Sea in Ships
(1949)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
Only the Brave
(2017)
Political: Leans Right
Diversity: Low
Traditional
6.8
Walking Tall
(1973)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
The Outpost
(2020)
Political: Leans Right
Diversity: Moderate
Traditional
6.8
The Crowd Roars
(1932)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Magnum Force
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Longest Day
(1962)
Political: Center
Diversity: Low
Traditional
6.8
The Cowboys
(1972)
Political: Leans Right
Diversity: Low
Traditional
6.8
Patriot Games
(1992)
Political: Leans Right
Diversity: Low
Traditional
6.7
The Patriot
(2000)
Political: Strong Right
Diversity: Low
Traditional
7.7
Old Henry
(2021)
Political: Leans Right
Diversity: Low
Traditional
7.1
Without Incident
(1957)
Political: Leans Right
Diversity: Low
Leans Traditional
7.6
The Top of the Hill
(1980)
Political: Center
Diversity: Low
Leans Traditional
7.2
Clear and Present Danger
(1994)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.5
Dunkirk
(2017)
Political: Center
Diversity: Low
Leans Traditional
7.1
Twins of Suffering Creek
(1920)
Political: Center
Diversity: Low
Center
8.6
The Manchurian Candidate
(1962)
Political: Center
Diversity: Low
Leans Traditional
7.0
Enemy of the State
(1998)
Political: Leans Right
Diversity: Moderate
Leans Traditional
8.2
1917
(2019)
Political: Center
Diversity: Low