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Combines user and critic ratings from four sources
Drama, Science Fiction • 2014 • 177 min

Aleksey German's final film, completed after decades of work, follows a scientist sent to a medieval-like alien planet who watches helplessly as its society destroys anyone capable of thought. The premise is science fiction; the experience is closer to a three-hour crawl through mud, blood, and despair. The Leans Traditional label reflects what is present on screen rather than any ideological agenda: the film treats gender roles and social structures as fixed features of a brutal world, casts without modern interventions, and frames intellectual progress as something societies must earn rather than receive. It is a deeply pessimistic meditation on power and human nature, rooted in Russian literary tradition.
Leonid Yarmolnik • Aleksandr Chutko • Yuriy Tsurilo
Aleksey German's final film, completed after decades of work, follows a scientist sent to a medieval-like alien planet who watches helplessly as its society destroys anyone capable of thought. The premise is science fiction; the experience is closer to a three-hour crawl through mud, blood, and despair. The Leans Traditional label reflects what is present on screen rather than any ideological agenda: the film treats gender roles and social structures as fixed features of a brutal world, casts without modern interventions, and frames intellectual progress as something societies must earn rather than receive. It is a deeply pessimistic meditation on power and human nature, rooted in Russian literary tradition.
Leonid Yarmolnik • Aleksandr Chutko • Yuriy Tsurilo
This film offers a stark, unflinching portrayal of a society trapped in medieval-like barbarism, exploring themes of human cruelty, the suppression of knowledge, and the futility of external intervention. It presents a profound, philosophical meditation on the nature of power and suffering without advocating for a specific political solution or ideology.
The film utilizes traditional casting without explicit race or gender swaps of established roles. Its narrative focuses on universal themes of power and human nature within a harsh, medieval-like setting, rather than critically portraying traditional identities.
The film primarily focuses on a bleak, regressive society, offering no meaningful depiction of family structures, roles, or values. Its narrative centers on societal decay and the suppression of knowledge rather than domestic life.
There is not enough publicly available information for AI to assess this category for this movie.
Hard to Be a God, 2014, does not feature any identifiable transgender characters or themes. The film immerses viewers in a brutal, medieval-like society observed by Earth scientists, focusing on themes of power, intervention, and human degradation. The narrative does not include any elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
The film adaptation of the science fiction novel "Hard to Be a God" maintains the established genders of its primary characters from the source material. No significant characters are portrayed on screen with a different gender than their original conception.
The characters in this adaptation of a science fiction novel are portrayed by actors whose race is consistent with the source material, indicating no race swaps.
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