6.6
Viewer Rating
Combines user and critic ratings from four sources
Hope Springs (2012)
Hope Springs (2012)
Overview
After thirty years of marriage, a middle-aged couple attends an intense, week-long counseling session to work on their relationship.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
6.6
Overview
After thirty years of marriage, a middle-aged couple attends an intense, week-long counseling session to work on their relationship.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film receives a neutral rating as its core focus is on universal themes of marital struggle and reconciliation through individual effort and communication, rather than promoting any specific political ideology or critiquing societal structures.
The movie features a predominantly white, traditional cast without explicit race or gender swaps. Its narrative centers on the universal challenges of a long-term heterosexual marriage, offering a neutral to positive framing of traditional identities without incorporating explicit DEI themes or critiques.
Secondary
Hope Springs does not feature any identifiable LGBTQ+ characters or themes. The narrative is entirely centered on the heterosexual relationship of its two main protagonists, Kay and Arnold, and their efforts to revitalize their marriage.
Hope Springs does not include any identifiable transsexual characters or themes. The narrative centers on a heterosexual couple's relationship issues, with no elements related to transgender identity.
The movie does not contain any action or adventure elements.
Hope Springs is an original film with characters created specifically for this movie. There is no prior source material, historical figures, or previous installments from which characters' genders could be canonically established and then altered.
Hope Springs (2012) is an original film with no prior source material, historical figures, or previous installments. Therefore, no characters had an established race that could be altered.
Viewer Rating Breakdown
User Ratings
6.3
6.2
Critic Ratings
7.5
6.5
More Like This
Leans Traditional
7.0
The Devil Wears Prada
(2006)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.8
Sabrina
(1954)
Political: Center
Diversity: Low
Leans Traditional
9.0
City Lights
(1931)
Political: Center
Diversity: Low
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Leans Traditional
8.6
Annie Hall
(1977)
Political: Center
Diversity: Low
LGBTQ: Neutral
Traditional
8.2
The Quiet Man
(1952)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Low
Leans Traditional
7.2
Arthur
(1981)
Political: Center
Diversity: Low
Traditional
8.3
Manhattan
(1979)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.4
Lost in Translation
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.2
Funny Girl
(1968)
Political: Center
Diversity: Low
Leans Traditional
7.9
When Harry Met Sally...
(1989)
Political: Center
Diversity: Low
Traditional
8.4
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
The Lost Boys
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.0
Sleepless in Seattle
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.9
42nd Street
(1933)
Political: Center
Diversity: Low
Leans Traditional
7.4
Lars and the Real Girl
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.2
Forgetting Sarah Marshall
(2008)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.9
Big
(1988)
Political: Center
Diversity: Low
Leans Traditional
7.7
About a Boy
(2002)
Political: Center
Diversity: Low