Indrasabha (1925)
Indrasabha (1925)
Overview
A silent fantasy film centered on the court of the god Indra. Based on Agha Hasan Lakhnavi's play Indrasabha
Starring Cast
Rating & Dimensions
Not Rated
Overview
A silent fantasy film centered on the court of the god Indra. Based on Agha Hasan Lakhnavi's play Indrasabha
Starring Cast
Detailed Bias Analysis
Primary
As a 1932 mythological drama, Indrasabha primarily explores universal moral and spiritual themes like divine justice and cosmic order, rather than engaging with specific contemporary political ideologies. Its focus on apolitical, timeless principles leads to a neutral rating.
The film utilizes traditional casting practices typical of its regional cinema and era. Its narrative frames traditional identities in a neutral or positive light, without explicit critique or central DEI themes.
Secondary
As a mythological film centered on Indra's court, "Indrasabha" portrays Hindu deities, stories, and spiritual concepts with reverence and respect, aligning the narrative with the virtues and dignity of the faith.
Based on available information, the film 'Indrasabha' by Manilal Joshi does not appear to include any identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate regarding queer identity or experiences.
The film 'Indrasabha' does not feature any identifiable transsexual characters or themes in its narrative. Available plot summaries and character descriptions do not indicate any portrayal of transgender identity, leading to a determination of N/A for its net impact on this specific aspect.
The movie does not contain any action or adventure elements.
Indrasabha (1925) is a mythological film based on established Indian lore. There is no historical or critical evidence to suggest that any canonically or historically established characters were portrayed with a different gender in this adaptation.
Indrasabha (1925) is an Indian mythological silent film. Characters from Indian folklore or mythology would be portrayed by actors of the same racial background as the cultural context of the story. There is no historical or canonical basis to suggest any character was established as one race and then portrayed as a different race.