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Inter-Collegiate Athletic Association Championships (1904)
Inter-Collegiate Athletic Association Championships (1904)
Overview
A location actuality filmed in Philadelphia (May 27–28, 1904) documenting the Inter-Collegiate Athletic Association’s championships: sprint and field events, crowds, and collegiate pageantry, presented with intertitle introductions.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
A location actuality filmed in Philadelphia (May 27–28, 1904) documenting the Inter-Collegiate Athletic Association’s championships: sprint and field events, crowds, and collegiate pageantry, presented with intertitle introductions.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a historical record of collegiate athletic championships, focusing on competitive sports and athletic achievement without presenting any discernible narrative or ideological framing. Its observational nature renders it politically neutral.
This early 20th-century documentary of an inter-collegiate athletic event features a cast reflective of its historical context, primarily white male athletes, without intentional diversity-driven casting. The narrative focuses on the athletic competition itself, offering no critique of traditional identities or explicit engagement with diversity, equity, and inclusion themes.
Secondary
This early 20th-century actuality film by Edwin S. Porter documents an athletic championship. Its focus is purely on the sporting event, and it contains no discernible narrative, characters, or themes related to LGBTQ+ identities. Therefore, the film has no depiction of LGBTQ+ elements.
This 1902 documentary captures athletic events from the Inter-Collegiate Athletic Association Championships. The film's content is purely observational, focusing on sports without any narrative or character development that would introduce or explore transsexual themes or identities.
The movie does not contain any action or adventure elements.
This 1904 film is a documentary recording of a real sporting event. It does not feature fictional characters with pre-established canonical genders from source material, nor does it adapt historical figures in a way that alters their documented gender. Therefore, no gender swaps occur.
The film is a 1904 documentary-style recording of an athletic event, not an adaptation of a fictional work or a biopic with established characters. The concept of a character's race being changed from a prior canon or historical record does not apply to this type of film.
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