7.2
Viewer Rating
Combines user and critic ratings from four sources
Ip Man 4: The Finale (2019)
Ip Man 4: The Finale (2019)
Overview
Following the death of his wife, Ip Man travels to San Francisco to ease tensions between the local kung fu masters and his star student, Bruce Lee, while searching for a better future for his son.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Leans Left
Diversity: High
Viewer Rating
7.2
Overview
Following the death of his wife, Ip Man travels to San Francisco to ease tensions between the local kung fu masters and his star student, Bruce Lee, while searching for a better future for his son.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central conflict explicitly portrays racism and xenophobia against Chinese immigrants in the United States, aligning its dominant themes with progressive values of social justice and the defense of marginalized communities. While the narrative often champions individual heroism as a solution, the core problem addressed firmly places the film in a left-leaning context.
The film features a visibly diverse cast, reflecting the cultural clashes between Chinese immigrants and American society. Its narrative explicitly critiques traditional white identities by portraying white characters as antagonists embodying racism and xenophobia, making themes of racial discrimination central to the plot.
Secondary
The film 'Ip Man 4: The Finale' does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on Ip Man's experiences with racism and his martial arts philosophy in 1960s San Francisco, without touching upon queer identity or related issues.
Ip Man 4: The Finale does not feature any identifiable transsexual characters or themes. The narrative focuses on Ip Man's experiences with racial discrimination and martial arts in 1960s San Francisco, without touching upon transgender identity or issues.
The film does not feature any female characters engaging in or winning close-quarters physical combat against male opponents. The combat scenes primarily involve male characters.
The film features historical figures like Ip Man and Bruce Lee, who are portrayed with their historically established genders. All other significant characters are either new to this installment or maintain their gender from previous canon, thus no gender swaps occur.
The film is a biographical martial arts movie. Key historical figures like Ip Man and Bruce Lee are portrayed by actors of the same race as the historical figures. New characters introduced do not represent a race swap from any established canon or source material.
Viewer Rating Breakdown
User Ratings
7.0
7.3
Critic Ratings
8.5
6.2
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