5.6
Viewer Rating
Combines user and critic ratings from four sources
Iron Field (1987)
Iron Field (1987)
Overview
Vladmir Bobylev goes on leave for his 60th anniversary. He takes his wife and son and heads for his native town Kholmy, where he stops with his family at his battle comrade, who suggests a trip to their battle places. The old man agrees almost without hesitation, for after the war hes never been there. They get acquainted with German tourists, and it turns out that one of them also fought here as an officer in the Army of fascist general Paulus.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Leans Left
Diversity: Low
Viewer Rating
5.6
Overview
Vladmir Bobylev goes on leave for his 60th anniversary. He takes his wife and son and heads for his native town Kholmy, where he stops with his family at his battle comrade, who suggests a trip to their battle places. The old man agrees almost without hesitation, for after the war hes never been there. They get acquainted with German tourists, and it turns out that one of them also fought here as an officer in the Army of fascist general Paulus.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film, as a Soviet industrial drama, implicitly promotes the efficacy of collective effort and the pursuit of societal improvement through industrial development, aligning with left-leaning values of communal good and overcoming systemic challenges within a socialist framework.
The film is assessed as having traditional casting, likely featuring primarily white actors without explicit race or gender swaps of established roles. The narrative is presumed to maintain a neutral or positive framing of traditional identities, without incorporating critical DEI themes or negative portrayals of traditional characters.
Secondary
The film 'Zheleznoye pole' by Yaropolk Lapshin, a Soviet drama, does not appear to contain any LGBTQ+ characters or themes. Therefore, its net impact on the portrayal of LGBTQ+ individuals is N/A, as there is no depiction to evaluate.
The film "Iron Field" (1987) does not feature any identifiable transsexual characters or themes within its narrative. Consequently, there is no portrayal to evaluate, and its net impact on transsexual representation is not applicable.
The movie does not contain any action or adventure elements.
This film is an original Soviet drama from 1986, not an adaptation of existing source material with established characters or a biopic of a widely known historical figure. All characters are original to this production, thus precluding any gender swaps from prior canon.
The 1986 Soviet film "Zheleznoye pole" is an adaptation of a novel by Boris Vasilyev, featuring characters implicitly or explicitly of Russian/Slavic ethnicity. There is no evidence of any character being established as one race in the source material and then portrayed as a different race in the film.
Viewer Rating Breakdown
User Ratings
5.6
N/A
Critic Ratings
N/A
N/A
More Like This
Leans Traditional
6.7
Descended from Heaven
(1987)
Political: Center
Diversity: Low
Traditional
8.3
Ivan the Terrible, Part I
(1944)
Political: Strong Right
Diversity: Low
Leans Progressive
7.0
The Director of the Foster Home
(1984)
Political: Strong Left
Diversity: Low
Leans Traditional
6.8
The Precipice
(1984)
Political: Center
Diversity: Low
Leans Progressive
8.8
Battleship Potemkin
(1925)
Political: Strong Left
Diversity: Low
Leans Progressive
6.8
Komsomol Is My Motherland
(1931)
Political: Strong Left
Diversity: Low
Leans Traditional
6.6
Mirror for a Hero
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Lonely Businessman's Big Score
(1984)
Political: Center
Diversity: Low
Leans Traditional
7.1
This is Us, God!..
(1990)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Mystery of Edwin Drood
(1980)
Political: Center
Diversity: Low
Leans Traditional
6.6
In Broad Daylight
(1983)
Political: Center
Diversity: Low
Leans Traditional
7.5
Serafima Glyukina's Weekdays and Weekends
(1988)
Political: Center
Diversity: Low
Center
9.0
Wintering Law
(1984)
Political: Center
Diversity: Moderate
Leans Traditional
8.7
Stalker
(1979)
Political: Center
Diversity: Low
Leans Traditional
7.5
Courier
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.8
Life of Klim Samgin
(1986)
Political: Center
Diversity: Low
Traditional
7.2
We Looked in the Death's Face
(1980)
Political: Leans Right
Diversity: Low
Leans Traditional
6.8
Time for Reflection
(1983)
Political: Center
Diversity: Low
Leans Traditional
6.6
The Highway
(1983)
Political: Center
Diversity: Low
Leans Traditional
8.1
Gentlemen of Fortune
(1971)
Political: Center
Diversity: Low