Center
8.9
High and Low
(1963)
Political: Center
Diversity: Low
勘太郎月夜唄 (1952)
勘太郎月夜唄 (1952)
Overview
Kantaro, known as a rowdy boy in the town of Ina, attacked the local boss, Kaneoni's Arahira, all by himself, but was defeated by a large group of people and thrown into the Tenryu River, never to be seen again. Three years later, Kantaro, who was rumored to be dead, was reported to have appeared at a boarding house upstream of the Tenryu River by Genkō, a horseman who had been saved by Kantaro. O-Mitsu, the daughter of Chokai-ji Temple, who had secretly been in love with Kantaro, was thrilled by the rumor and told her father, the monk Ryokai, about it. However, Ryokai was none other than the one who had rescued Kantaro from the boarding house three years earlier and had secretly sent him to Edo.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Kantaro, known as a rowdy boy in the town of Ina, attacked the local boss, Kaneoni's Arahira, all by himself, but was defeated by a large group of people and thrown into the Tenryu River, never to be seen again. Three years later, Kantaro, who was rumored to be dead, was reported to have appeared at a boarding house upstream of the Tenryu River by Genkō, a horseman who had been saved by Kantaro. O-Mitsu, the daughter of Chokai-ji Temple, who had secretly been in love with Kantaro, was thrilled by the rumor and told her father, the monk Ryokai, about it. However, Ryokai was none other than the one who had rescued Kantaro from the boarding house three years earlier and had secretly sent him to Edo.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The political bias of 'Happy Harvest' cannot be determined due to the absence of plot details and thematic information, rendering an objective evaluation impossible.
Based on the absence of specific information regarding the cast and plot, the movie is assessed as not explicitly featuring DEI elements in its casting or narrative framing. There is no indication of intentional race or gender swaps, nor is there evidence of explicit critique of traditional identities or central DEI themes.
Secondary
No information regarding the plot, characters, or themes of 'Happy Harvest' was provided, precluding an evaluation of its LGBTQ+ portrayal. Therefore, the film's net impact on LGBTQ+ themes cannot be determined.
No information regarding transsexual characters or themes is available for this film. Consequently, an evaluation of its portrayal cannot be made.
The movie does not contain any action or adventure elements.
No source material or prior canonical establishment for "Happy Harvest" (1952) is provided, making it impossible to determine if any character's gender was altered from a pre-existing version.
Without information regarding the source material, previous character portrayals, or historical figures associated with the 1952 film 'Happy Harvest,' it is not possible to identify any instances where a character's established race was changed.
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