8.1
Viewer Rating
Combines user and critic ratings from four sources
Key Largo (1948)
Key Largo (1948)
Overview
A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Christianity: Positive
Viewer Rating
8.1
Overview
A hurricane swells outside, but it's nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up - and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central conflict, while broadly appealing, is resolved through an emphasis on individual moral courage and decisive action against clear evil, aligning more with conservative values of personal responsibility and the restoration of order.
This 1948 film features a predominantly white main cast, consistent with traditional Hollywood casting practices of its era. The narrative focuses on a conflict between a war veteran and a gangster, without incorporating explicit critiques of traditional identities or central DEI themes.
Secondary
The film's moral framework aligns with and affirms virtues often associated with Christian ethics, such as justice, compassion, and self-sacrifice, through its heroic protagonists. The narrative unequivocally champions these values against the amorality of the antagonists.
Key Largo, a 1948 film noir, does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on a crime drama involving a gangster, a war veteran, and a hotel during a hurricane, with no elements related to queer identity or experiences.
Key Largo, a film released in 1948, does not feature any identifiable transsexual characters or themes within its narrative. The story focuses on a returning war veteran confronting a gangster in a Florida Keys hotel, with no elements related to transgender identity present in the plot or character arcs.
The movie does not contain any action or adventure elements.
Key Largo (1948) is an adaptation of a 1939 play by Maxwell Anderson. The film's main characters retain the same genders as established in the original source material, with no instances of a character canonically established as one gender being portrayed as another.
Key Largo (1948) is an adaptation of a 1939 play. There is no evidence that any character, canonically established as one race in the source material, was portrayed by an actor of a different race in the film.
Viewer Rating Breakdown
User Ratings
7.7
7.5
Critic Ratings
9.7
7.4
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