Viewer Rating
Combines user and critic ratings from four sources

King of Jazz (1930)
A large-scale revue musical built around Paul Whiteman and his orchestra, presenting a series of musical performances, sketches, and staged tableaux in early two-color Technicolor, emblematic of Hollywood’s early sound-era “all-star” musical productions.
A large-scale revue musical built around Paul Whiteman and his orchestra, presenting a series of musical performances, sketches, and staged tableaux in early two-color Technicolor, emblematic of Hollywood’s early sound-era “all-star” musical productions.
King of Jazz is a musical revue film primarily focused on showcasing Paul Whiteman's orchestra and various entertainment acts. The film lacks an explicit political thesis, instead celebrating American music and spectacle, leading to a neutral rating.
This 1930 musical revue features traditional casting for its era, with no evidence of intentional race or gender swaps for established roles. The narrative focuses on entertainment and does not engage in critical portrayals of traditional identities or center on explicit DEI themes.
King of Jazz, a 1930 musical revue, does not feature any identifiable LGBTQ+ characters or themes. The film's content, typical for its era and genre, does not provide any basis for assessing a portrayal of queer identity.
The film "King of Jazz, 1930" does not feature any identifiable transsexual characters or themes. As a musical revue from its era, there is no information or common knowledge suggesting the presence of such depictions, leading to an N/A rating for its portrayal.
The movie does not contain any action or adventure elements.
King of Jazz is a 1930 musical revue film featuring Paul Whiteman and his orchestra. It is not an adaptation of existing material with pre-established characters, nor does it alter the gender of any historical figures portrayed. Therefore, no gender swap occurs.
King of Jazz (1930) is a musical revue film featuring Paul Whiteman and his orchestra, not an adaptation of pre-existing material with established characters. The film primarily features original performances and real individuals playing themselves, thus precluding the possibility of a race swap as defined.
Combines user and critic ratings from four sources




Actors
| Name | Role | Gender | Race | Nationality |
|---|---|---|---|---|
Paul Whiteman | Paul Whiteman | Male | White | |
John Boles | Vocalist ('Song of the Dawn' / 'It Happened in Monterey') | Male | White | |
Jeanette Loff | Vocalist ('It Happened in Monterey' / 'Bridal Veil' / 'A Bench in the Park') | Other | White | |
Walter Brennan | Desk Sergeant ('Springtime') / Soldier ('All Noisy on the Eastern Front') / Waiter ('Oh! Forevermore!') / Front End of Horse / Quartet Member ('Nellie') | Male | White | |
Bing Crosby | Trio Singer (as The Rhythm Boys) | Male | White | |
Yola d'Avril | Automobile Owner's Wife ("Springtime") / Marie ("All Noisy on the Eastern Front") (uncredited) | Female | White | |
Bela Lugosi | Emcee - Hungarian Version | Male | White |
Actor Breakdown
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