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Documentary, Music • 1983 • 86 min

Koyaanisqatsi is a 1983 experimental documentary with no dialogue, no characters, and no plot. It is pure visual argument: time-lapse footage of American landscapes and cities, scored by Philip Glass, building a case that industrial civilization is degrading both the natural world and human experience. The Hopi word in the title translates roughly to 'life out of balance,' and the film never lets you forget it. That anti-industrial, pro-nature framing sits squarely in progressive environmental thought. The critique is aesthetic rather than explicitly political, but the underlying worldview, unchecked technology as a destructive force, aligns consistently with that tradition, earning the Leans Progressive label.
Edward Asner • Pat Benatar • Jerry Brown
Koyaanisqatsi is a 1983 experimental documentary with no dialogue, no characters, and no plot. It is pure visual argument: time-lapse footage of American landscapes and cities, scored by Philip Glass, building a case that industrial civilization is degrading both the natural world and human experience. The Hopi word in the title translates roughly to 'life out of balance,' and the film never lets you forget it. That anti-industrial, pro-nature framing sits squarely in progressive environmental thought. The critique is aesthetic rather than explicitly political, but the underlying worldview, unchecked technology as a destructive force, aligns consistently with that tradition, earning the Leans Progressive label.
Edward Asner • Pat Benatar • Jerry Brown
The film's central thesis is a profound, non-narrative critique of modern industrial civilization, highlighting environmental degradation and the dehumanizing effects of unchecked technological progress, which are core progressive concerns.
This non-narrative, observational film documents human activity and the environment, rather than featuring traditional characters or a plot. Consequently, conventional casting and character diversity metrics are not applicable. The film's critique focuses on modern industrial society and its impact on the planet, without explicitly targeting specific traditional identities or incorporating explicit DEI themes.
The film is a non-narrative documentary that focuses on humanity's relationship with technology and nature, and it does not depict specific family structures, roles, or values in a way that allows for evaluation on the provided scale.
Koyaanisqatsi is an experimental, non-narrative film composed of time-lapse and slow-motion footage exploring the relationship between humanity and nature. Lacking identifiable characters or dialogue, the film does not present any LGBTQ+ characters or themes.
Koyaanisqatsi is a non-narrative, experimental film that explores the relationship between humanity, technology, and nature through visual imagery and music. It does not feature individual characters or a traditional plot, and consequently, there are no identifiable transsexual characters or themes present within its scope.
The movie does not contain any action or adventure elements.
Koyaanisqatsi is a non-narrative documentary film without traditional characters or a plot. It does not adapt existing source material or portray specific historical figures, thus precluding any instance of a gender swap.
Koyaanisqatsi is a non-narrative documentary film that does not feature named characters, historical figures, or adaptations of existing source material with established character races. The film primarily depicts anonymous individuals and landscapes.
Not depicted in the film.
Combines user and critic ratings from four sources























