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Kumkum the Dancer (1940)

Kumkum the Dancer poster

Kumkum the Dancer (1940)

Overview

A dance film idealising poverty made mainly to showcase Bose's talents. Labour leader Suryashankar is jailed for trade union activities and, when released, finds that his friend Jagdish has stolen his property and plagiarised his play Bhookh (Hunger). To take revenge on behalf of the poor, Suryashankar's daughter Kumkum (Bose) marries Jagdish's son Chandan (Bhattacharya). Later she collaborates in staging a play meant to expose Jagdish's evil past. The film's publicity slogan was 'She robbed her husband to feed the poor!'


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Center

Political: Center
Diversity: Moderate
Hinduism: Positive

Viewer Rating

Not Rated


Overview

A dance film idealising poverty made mainly to showcase Bose's talents. Labour leader Suryashankar is jailed for trade union activities and, when released, finds that his friend Jagdish has stolen his property and plagiarised his play Bhookh (Hunger). To take revenge on behalf of the poor, Suryashankar's daughter Kumkum (Bose) marries Jagdish's son Chandan (Bhattacharya). Later she collaborates in staging a play meant to expose Jagdish's evil past. The film's publicity slogan was 'She robbed her husband to feed the poor!'


Starring Cast

Detailed Bias Analysis

Analyzing...
Center

Primary

Without specific plot details, the film's central subject of a dancer in 1940s India does not inherently present a strong, explicit political valence, leading to a neutral rating due to the absence of clear evidence for either progressive or conservative ideological promotion.

The film features a cast that reflects its cultural origin, and its narrative does not explicitly engage with modern DEI themes or offer critiques of traditional identities. This results in a moderate presence of DEI characteristics.

Secondary

As an Indian film from 1940, the narrative likely portrays Hinduism as an integral part of the cultural and spiritual landscape. It affirms traditional values, devotional practices, and the spiritual depth often associated with the faith, particularly in the context of traditional arts like dance.

Based on the available information, 'Kumkum the Dancer' does not feature any identifiable LGBTQ+ characters or themes. Consequently, the film's net impact on LGBTQ+ portrayal is rated as N/A due to the absence of relevant content.

The film 'Kumkum the Dancer' does not include any identifiable transsexual characters or themes. Consequently, there is no direct portrayal or impact on transgender representation within the narrative.

The movie does not contain any action or adventure elements.

Without information on source material, prior adaptations, or historical figures for 'Kumkum the Dancer' (1940), it is not possible to identify any characters whose gender was established differently before this film's release.

There is no readily available information or established canon for 'Kumkum the Dancer' (1940) that specifies the race of its characters prior to the film's production. Without a baseline for comparison, it is not possible to identify any instance of a race swap according to the provided definition.


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