Viewer Rating
Combines user and critic ratings from four sources
Drama, Romance • 1962 • 126 min

L'Eclisse is a 1962 Italian drama directed by Michelangelo Antonioni, focusing on themes of emotional disconnection and existential longing. Set in a modern Rome driven by commerce and superficiality, the film follows a love affair that falters under the weight of personal alienation. The public bias label, leans traditional, aligns with its period-specific setting and cultural lens but is balanced by its progressive depiction of strained family-like relationships and emotional detachment. The absence of diverse or queer narratives further underpins the traditional lean, while the film's overarching tone remains ideologically neutral.
Monica Vitti • Alain Delon • Francisco Rabal
L'Eclisse is a 1962 Italian drama directed by Michelangelo Antonioni, focusing on themes of emotional disconnection and existential longing. Set in a modern Rome driven by commerce and superficiality, the film follows a love affair that falters under the weight of personal alienation. The public bias label, leans traditional, aligns with its period-specific setting and cultural lens but is balanced by its progressive depiction of strained family-like relationships and emotional detachment. The absence of diverse or queer narratives further underpins the traditional lean, while the film's overarching tone remains ideologically neutral.
Monica Vitti • Alain Delon • Francisco Rabal
The film explores existential alienation and the breakdown of human connection in a modern, materialistic world without advocating for specific political solutions or ideologies. Its focus is on the human condition rather than a political critique, offering no discernible solution to the problems it presents.
The movie features a traditional European cast consistent with its 1960s setting in Rome. Its narrative focuses on existential themes of alienation and emotional detachment, without explicitly critiquing traditional identities or incorporating diversity, equity, and inclusion themes into its central plot.
The film portrays the breakdown of committed relationships and emotional detachment within family bonds, depicting a world where traditional family structures and values are largely absent or unfulfilled, without explicitly endorsing or critiquing alternative models.
L'Eclisse does not feature any identifiable LGBTQ+ characters or themes. The narrative centers on heterosexual relationships, primarily exploring the emotional detachment and communication breakdown between Vittoria and Piero, set against the backdrop of a modern, indifferent Rome. Queer identities or experiences are not depicted within the film's scope.
L'Eclisse does not feature any identifiable transsexual characters or themes. The narrative focuses on the existential ennui and emotional detachment of its cisgender protagonists, Vittoria and Piero, against the backdrop of Rome's financial district. The film explores themes of alienation and the breakdown of communication, without touching upon gender identity beyond cisgender experiences.
The movie does not contain any action or adventure elements.
L'Eclisse is an original screenplay, not an adaptation of pre-existing material or a biopic. Its characters were created for this film, meaning there is no prior canonical or historical gender to be altered.
The film is an original work with fictional characters created for the screen. There is no prior source material, historical record, or previous installment to establish a canonical race for any character that could subsequently be altered.
Not depicted in the film.
Combines user and critic ratings from four sources























