Leans Traditional
8.4
Three Colors: Blue
(1993)
Political: Center
Diversity: Low
La Canne du douanier (1908)
La Canne du douanier (1908)
Overview
After a fight in the forest against customs officers, one of the smugglers is denied of his share of the profits and thrown away. Making his way into the village, he will ask for help to the wife of the customs officer he assaulted.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
After a fight in the forest against customs officers, one of the smugglers is denied of his share of the profits and thrown away. Making his way into the village, he will ask for help to the wife of the customs officer he assaulted.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's subject matter, a customs officer's cane, and the context of early silent cinema do not suggest any inherent political messaging or ideological alignment, leading to a neutral rating.
This 1910 silent French film features traditional casting typical of its era, primarily with white actors and no intentional diversity-driven recasting. The narrative, a light comedy, focuses on a simple plot without engaging in any critique of traditional identities or incorporating explicit DEI themes.
Secondary
The 1907 silent film 'La Canne du douanier' does not feature any identifiable LGBTQ+ characters, themes, or narratives. Its plot, typical of early cinema, focuses on general comedic or dramatic situations without engaging with queer identity in any capacity, resulting in no depiction.
The film "La Canne du douanier" does not feature any identifiable transsexual characters or themes. Its narrative, typical of early silent cinema, focuses on a customs officer and a smuggling plot, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
This is an original film from 1908, not an adaptation or reboot. There are no pre-existing characters with established canonical or historical genders to compare against, thus no gender swap can occur.
This 1908 silent film is an original work and not an adaptation of existing material with pre-established character races, nor does it feature historical figures or legacy characters. Therefore, no character's race could have been changed from a prior depiction.
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