Leans Traditional
8.3
Le Livre de minuit
(1996)
Political: Center
Diversity: Low
La fin de Don Juan (1911)
La fin de Don Juan (1911)
Overview
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Christianity: Positive
Viewer Rating
Not Rated
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's narrative, focusing on the downfall of Don Juan, reinforces traditional moral values and the concept of accountability for unchecked hedonism, aligning with themes often emphasized in conservative discourse.
This early 20th-century silent film features traditional casting consistent with its historical period and source material. Its narrative focuses on the classic tale without incorporating modern DEI themes or critiquing traditional identities.
Secondary
The film portrays the traditional Don Juan narrative, where the protagonist's defiance of moral and divine law leads to his ultimate damnation. This narrative structure implicitly affirms Christian moral tenets by demonstrating the severe consequences of their transgression, thereby aligning with the virtues of the faith.
The 1908 silent film 'La fin de Don Juan' adapts the traditional legend of Don Juan's damnation. The narrative centers on his heterosexual exploits and divine retribution, without any identifiable LGBTQ+ characters or themes.
This early silent film, 'La fin de Don Juan,' centers on the legendary character's final moments. There are no identifiable transsexual characters or themes present in its plot or character arcs, leading to a determination of N/A for its portrayal.
The movie does not contain any action or adventure elements.
The film adapts the classic Don Juan legend. Don Juan, a character canonically established as male, is portrayed by a male actor in this 1911 adaptation. There is no evidence of other major characters undergoing a gender swap.
Don Juan is a legendary character consistently depicted as a white European in source material. There is no historical or cinematic evidence to suggest that the 1911 film portrayed the character as a different race.
More Like This
Leans Traditional
7.7
Léon: The Professional
(1994)
Political: Center
Diversity: Low
Leans Traditional
7.0
Antoine & Antoinette
(1947)
Political: Center
Diversity: Low
Leans Traditional
7.2
Intimate Strangers
(2004)
Political: Center
Diversity: Low
Leans Traditional
7.1
Beau Pere
(1981)
Political: Center
Diversity: Low
Leans Traditional
8.9
The Passion of Joan of Arc
(1928)
Political: Center
Diversity: Low
Leans Traditional
8.4
Sentimental Value
(2025)
Political: Center
Diversity: Low
Leans Traditional
7.3
Pearl
(2018)
Political: Center
Diversity: Low
Leans Traditional
8.7
Pépé le Moko
(1937)
Political: Center
Diversity: Low
Leans Traditional
7.4
A Good Marriage
(1982)
Political: Center
Diversity: Low
Leans Traditional
8.0
Black Box
(2021)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Triplets of Belleville
(2003)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Red Balloon
(1956)
Political: Center
Diversity: Low
Leans Traditional
8.4
Three Colors: Blue
(1993)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Supper
(1992)
Political: Center
Diversity: Low
Leans Traditional
6.9
Weekend at Dunkirk
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.0
Macbeth
(2015)
Political: Center
Diversity: Low
Leans Traditional
7.8
La Belle Époque
(2019)
Political: Center
Diversity: Low
Leans Traditional
8.7
A Man Escaped
(1956)
Political: Center
Diversity: Low
Leans Traditional
7.3
Bed and Board
(1970)
Political: Center
Diversity: Low