Leans Traditional
9.5
Supernatural
(2025)
Political: Center
Diversity: Low
La Ville (1956)
La Ville (1956)
Overview
Cameraman Claude Gabriëls, well known for his work with Henri Storck and Paul Meyer, has made this beautiful evocation of a snowy day in Brussels.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
Not Rated
Overview
Cameraman Claude Gabriëls, well known for his work with Henri Storck and Paul Meyer, has made this beautiful evocation of a snowy day in Brussels.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is rated 0 (Neutral/Centrist) due to the complete absence of information regarding its plot, themes, or content, making it impossible to identify any specific political biases or leanings.
Based on the absence of specific information regarding the movie's casting diversity, character representation, or narrative themes, the evaluation defaults to a traditional assessment. There is no indication of explicit DEI-driven casting or narrative focus on DEI themes.
Secondary
Without any provided plot details or character descriptions for 'Let's Go', an evaluation of its LGBTQ+ portrayal cannot be conducted. Therefore, the film's net impact on LGBTQ+ themes is rated as N/A, indicating no identifiable depiction could be assessed from the given information.
The film 'Metsä auttaa' (1955) does not feature any identifiable transsexual characters or themes. Its narrative focuses on traditional dramatic elements without engaging with transgender identity, leading to a determination of N/A for its portrayal.
The movie does not contain any action or adventure elements.
As an original film without known pre-existing source material or historical figures, there are no characters whose gender was established prior to 'Let's Go' (1956). Thus, no gender swap can be identified.
Information regarding the film 'Let's Go' (1956) does not indicate it is an adaptation, biopic, or features characters with pre-established racial identities from source material or history. Therefore, no instance of a race swap can be identified.
More Like This
Traditional
8.1
Baryshnikov: The Dancer and the Dance
(1983)
Political: Leans Right
Diversity: Low
Leans Traditional
7.1
That's Entertainment, Part II
(1976)
Political: Center
Diversity: Low
Leans Traditional
Not RatedBruges
(1954)
Political: Center
Diversity: Low
Leans Traditional
6.8
Egy Kerecsen Solyom Törtenete
(1951)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Typewriter, the Rifle & the Movie Camera
(1996)
Political: Center
Diversity: Low
Traditional
6.8
Shipwrecked Among Cannibals
(1920)
Political: Strong Right
Diversity: Low
Traditional
6.9
Muda Brasil
(1985)
Political: Strong Right
Diversity: Moderate
Leans Traditional
10.0
Days Like These
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.8
Messi
(2022)
Political: Center
Diversity: Low
Leans Traditional
8.4
Larry Bird: A Basketball Legend
(1991)
Political: Center
Diversity: Low
Leans Traditional
8.4
Six Into One: The Prisoner File
(1984)
Political: Center
Diversity: Low
Leans Traditional
6.7
Funke
(2018)
Political: Center
Diversity: Low
Leans Traditional
7.0
Stanisław Lem: Autor Solaris
(2016)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Making of Me
(1989)
Political: Center
Diversity: Low
Leans Traditional
6.9
Nichols and May: Take Two
(1996)
Political: Center
Diversity: Low
Leans Traditional
8.8
They Shall Not Grow Old
(2018)
Political: Center
Diversity: Low
Traditional
7.5
What Is a Woman?
(2022)
Political: Strong Right
Diversity: Low
LGBTQ: Negative
Traditional
7.9
The Pez Outlaw
(2022)
Political: Leans Right
Diversity: Low
Leans Traditional
6.6
He Loves Me, He Loves Me Not
(1903)
Political: Center
Diversity: Low