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Last Days in the Desert (2016)
On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis, setting himself up for a dramatic test.
On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis, setting himself up for a dramatic test.
The film explores universal themes of faith, doubt, family dynamics, and human suffering through the lens of a spiritual figure's internal journey, consciously balancing different perspectives without promoting a specific political ideology.
The film features traditional casting with white male actors in central roles, consistent with historical portrayals of its biblical subject matter. The narrative focuses on spiritual themes without explicitly critiquing or negatively framing traditional identities, nor does it center on explicit DEI themes.
The film portrays Yeshua (Jesus), a historical figure widely understood to be Middle Eastern, with a white actor (Ewan McGregor). This constitutes a race swap based on the historical understanding of the character's race.
The film offers a deeply contemplative and respectful portrayal of Jesus (Yeshua), focusing on his humanity, spiritual struggles, and profound commitment to his divine path. It explores themes of faith, doubt, and sacrifice with nuance and empathy, affirming the dignity of his journey.
Last Days in the Desert does not feature any identifiable LGBTQ+ characters or themes. The narrative is centered on a biblical interpretation of Yeshua's temptations in the desert and his interactions with a desert family, without incorporating queer identities or storylines.
Based on the information provided, there is insufficient data to assess the film's portrayal of transsexual characters or themes. No plot points or character arcs related to transsexual identity were available for evaluation, preventing a determination of the net impact.
The film is a contemplative drama centered on Yeshua's journey in the desert. It does not feature any female characters engaging in or winning close-quarters physical combat against male opponents.
The film depicts Jesus, a historically male figure, with a male actor. The other main characters (Father, Son, Mother) are original to this specific narrative and do not have prior canonical genders established in source material to be swapped.
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