8.1
Viewer Rating
Combines user and critic ratings from four sources
Last Year at Marienbad (1961)
Last Year at Marienbad (1961)
Overview
In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
8.1
Overview
In a strange and isolated chateau, a man becomes acquainted with a woman and insists that they have met before.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's highly abstract and ambiguous exploration of memory, perception, and the nature of reality is fundamentally apolitical, offering no clear ideological stance or critique of societal structures.
The film features a cast that aligns with traditional European cinema of the early 1960s, without explicit diversity initiatives. Its narrative primarily explores themes of memory and reality, rather than engaging with or critiquing traditional identities or explicitly incorporating diversity, equity, and inclusion themes.
Secondary
The film "Last Year at Marienbad" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on memory, identity, and the nature of reality, primarily through the ambiguous relationship between a man and a woman, without exploring queer identities or experiences.
Last Year at Marienbad, 1961, does not feature any identifiable transsexual characters or themes. The film's complex narrative primarily explores memory, identity, and the subjective nature of reality, without engaging with gender identity issues. For instance, the central mystery revolves around whether the protagonists met previously, not their gender identities.
The movie does not contain any action or adventure elements.
Last Year at Marienbad is an original film with no prior source material, historical figures, or previous installments. Therefore, its characters do not have pre-established genders that could be swapped.
This film is an original work with no prior source material, historical figures, or previous adaptations. All characters were created for this specific film, meaning there is no pre-established canonical race to be altered.
Viewer Rating Breakdown
User Ratings
7.6
7.5
Critic Ratings
9.3
N/A
More Like This
Leans Traditional
8.2
Cyrano de Bergerac
(1990)
Political: Center
Diversity: Low
Leans Traditional
7.2
Intimate Strangers
(2004)
Political: Center
Diversity: Low
Leans Traditional
8.9
Children of Paradise
(1945)
Political: Center
Diversity: Low
Leans Traditional
7.3
Joyeux Noel
(2005)
Political: Center
Diversity: Low
Leans Traditional
7.4
Summer Things
(2002)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.2
The French Kissers
(2009)
Political: Center
Diversity: Low
Leans Traditional
7.3
Bed and Board
(1970)
Political: Center
Diversity: Low
Leans Traditional
7.2
Scarlet
(2023)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Umbrellas of Cherbourg
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.2
Priceless
(2006)
Political: Center
Diversity: Low
Leans Traditional
8.4
The Artist
(2011)
Political: Center
Diversity: Low
Leans Traditional
8.6
Amour
(2012)
Political: Center
Diversity: Low
Leans Traditional
6.8
Welcome to the Sticks
(2008)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Piano Teacher
(2001)
Political: Center
Diversity: Low
Leans Traditional
8.2
French Cancan
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.8
Four Nights of a Dreamer
(1972)
Political: Center
Diversity: Low
Leans Traditional
7.2
Romantics Anonymous
(2010)
Political: Center
Diversity: Low
Leans Traditional
8.2
The Taste of Things
(2023)
Political: Center
Diversity: Low
Leans Traditional
7.4
A Good Marriage
(1982)
Political: Center
Diversity: Low
Leans Traditional
8.7
Pépé le Moko
(1937)
Political: Center
Diversity: Low