6.9
Viewer Rating
Combines user and critic ratings from four sources
Lisboa no Cinema, Um Ponto de Vista (1994)
Lisboa no Cinema, Um Ponto de Vista (1994)
Overview
The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Christianity: Positive
Viewer Rating
6.9
Overview
The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject is the cultural and historical representation of Lisbon in cinema, which is an inherently apolitical theme focused on analysis rather than ideological advocacy. It offers a comprehensive 'point of view' on how the city has been depicted, without championing a specific political stance or solution for the city itself.
This cinematic essay, which compiles archival footage to explore Lisbon's portrayal in film, naturally includes a range of individuals from its source material without explicit DEI-driven casting. The narrative focuses on the city's cinematic history and atmosphere, rather than engaging in a critique of traditional identities.
Secondary
The film, through its compilation of cinematic portrayals of Lisbon, presents Christianity as an integral and historically significant aspect of the city's cultural identity. The narrative acknowledges its enduring presence and influence with a respectful, reflective tone, rather than a critical one.
This film does not feature identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal of queer identity to evaluate within the narrative.
Based on the information provided, the film does not appear to feature identifiable transsexual characters or themes. Consequently, an evaluation of its portrayal of such elements is not applicable.
The movie does not contain any action or adventure elements.
This film is an essay or documentary exploring Lisbon through cinema. It does not feature characters adapted from pre-existing source material or historical figures whose gender would be altered, nor is it a reboot of an ensemble with legacy characters. Therefore, no gender swaps are present.
As a documentary, "Lisboa no Cinema, Um Ponto de Vista" does not feature fictional characters adapted from source material or historical figures whose race would be subject to a 'race swap' as defined. The concept is not applicable to this type of film.
Viewer Rating Breakdown
User Ratings
7.2
6.5
Critic Ratings
N/A
N/A
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