6.8
Viewer Rating
Combines user and critic ratings from four sources
Lisboa no Cinema, Um Ponto de Vista (1994)
Lisboa no Cinema, Um Ponto de Vista (1994)
Overview
The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Christianity: Positive
Viewer Rating
6.8
Overview
The city during the beginning of cinema. The typical city at the time of the dictatorship. The New Lisbon of the New Cinema. Lisbon after the Revolution. The white city of foreigners. A geographical and moviegoer screenplay of Lisbon through the images of films and testimonies of several filmmakers who filmed in Lisbon.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject is the cultural and historical representation of Lisbon in cinema, which is an inherently apolitical theme focused on analysis rather than ideological advocacy. It offers a comprehensive 'point of view' on how the city has been depicted, without championing a specific political stance or solution for the city itself.
This documentary explores the cinematic representation of Lisbon, and its format does not involve traditional casting decisions or explicit race/gender swaps. The narrative focuses on the city's portrayal in film, and while it may include diverse perspectives, it does not explicitly center on DEI themes or offer strong critiques of traditional identities.
Secondary
The film, through its compilation of cinematic portrayals of Lisbon, presents Christianity as an integral and historically significant aspect of the city's cultural identity. The narrative acknowledges its enduring presence and influence with a respectful, reflective tone, rather than a critical one.
This film does not feature identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal of queer identity to evaluate within the narrative.
Based on the information provided, the film does not appear to feature identifiable transsexual characters or themes. Consequently, an evaluation of its portrayal of such elements is not applicable.
The movie does not contain any action or adventure elements.
This film is an essay or documentary exploring Lisbon through cinema. It does not feature characters adapted from pre-existing source material or historical figures whose gender would be altered, nor is it a reboot of an ensemble with legacy characters. Therefore, no gender swaps are present.
As a documentary, "Lisboa no Cinema, Um Ponto de Vista" does not feature fictional characters adapted from source material or historical figures whose race would be subject to a 'race swap' as defined. The concept is not applicable to this type of film.
Viewer Rating Breakdown
User Ratings
7.0
6.5
Critic Ratings
N/A
N/A
More Like This
Traditional
6.9
Muda Brasil
(1985)
Political: Strong Right
Diversity: Moderate
Leans Progressive
6.6
The Wire
(2021)
Political: Strong Left
Diversity: Not Rated
Leans Traditional
7.1
That's Entertainment, Part II
(1976)
Political: Center
Diversity: Low
Leans Progressive
8.2
Moonage Daydream
(2022)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Traditional
10.0
Days Like These
(1986)
Political: Center
Diversity: Low
Leans Traditional
6.8
Messi
(2022)
Political: Center
Diversity: Low
Leans Progressive
6.7
Forks Over Knives
(2011)
Political: Leans Left
Diversity: Moderate
Center
8.4
Bring the Soul: The Movie
(2019)
Political: Center
Diversity: Moderate
Center
6.6
From Mao to Mozart: Isaac Stern in China
(1981)
Political: Center
Diversity: Moderate
Leans Traditional
8.8
They Shall Not Grow Old
(2018)
Political: Center
Diversity: Low
Traditional
6.8
Shipwrecked Among Cannibals
(1920)
Political: Strong Right
Diversity: Low
Progressive
8.4
Coup 53
(2019)
Political: Strong Left
Diversity: High
Leans Progressive
8.5
Blackfish
(2013)
Political: Strong Left
Diversity: Moderate
Progressive
7.1
Chi
(2013)
Political: Center
Diversity: Not Rated
Leans Traditional
7.5
The Making of Me
(1989)
Political: Center
Diversity: Low
Center
8.0
The Final Academy Documents
(1984)
Political: Leans Left
Diversity: Low
Leans Traditional
6.9
Nichols and May: Take Two
(1996)
Political: Center
Diversity: Low
Traditional
7.5
What Is a Woman?
(2022)
Political: Strong Right
Diversity: Low
LGBTQ: Negative
Traditional
7.9
The Pez Outlaw
(2022)
Political: Leans Right
Diversity: Low
Center
6.6
Katy Perry: Part of Me
(2012)
Political: Center
Diversity: Moderate