Center
10.0
Pippi Longstocking
(1984)
Political: Center
Diversity: Low
Female Combat: Yes
Lord of the Black Rocks (1924)
Lord of the Black Rocks (1924)
Overview
The film takes place somewhere abroad. One of the characters in the film, novice Morne, rescues a fisherman girl, Armela, who loses her mind from terror and seriously begins to believe that she is the "goddess of the winds". The monks of the monastery use this not without benefit. Armela's father finds his daughter and takes her home. Morne, in love with the girl, leaves the monastery and returns to his former profession of an artist. Soon Armela recovers and marries Morne.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Negative
Viewer Rating
Not Rated
Overview
The film takes place somewhere abroad. One of the characters in the film, novice Morne, rescues a fisherman girl, Armela, who loses her mind from terror and seriously begins to believe that she is the "goddess of the winds". The monks of the monastery use this not without benefit. Armela's father finds his daughter and takes her home. Morne, in love with the girl, leaves the monastery and returns to his former profession of an artist. Soon Armela recovers and marries Morne.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The rating is 0 because the complete absence of plot details, character arcs, or thematic content makes it impossible to assess any political bias. Without specific narrative elements, no ideological context or problem/solution framework can be applied.
The movie features traditional casting without explicit diversity initiatives. Its narrative does not critically portray traditional identities, aligning with common cinematic practices of its historical period.
Secondary
As a Soviet anti-religious propaganda film, 'Lord of the Black Rocks' portrays the Russian Orthodox Church (Christianity) as an oppressive institution, complicit with capitalist exploitation and promoting superstition to control the working class. The narrative condemns the church's role and teachings.
Based on the information provided, there are no identifiable LGBTQ+ characters or themes within 'Lord of the Black Rocks'. Therefore, an evaluation of its portrayal of LGBTQ+ elements is not applicable.
Based on the information provided, there is no identifiable depiction of transsexual characters or themes in 'Lord of the Black Rocks.' Consequently, an evaluation of its portrayal is not possible.
The movie does not contain any action or adventure elements.
No information is provided regarding source material, prior character canon, or historical figures for "Lord of the Black Rocks" (1924). Without an established baseline for character genders, it is not possible to identify any instances of a gender swap.
The film "Lord of the Black Rocks" (1924) predates any widely recognized source material it might reference. Without prior canon or historical context, there are no established character races to compare against the film's portrayal, making a race swap impossible by definition.
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