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Lucia di Lammermoor (1911)

Lucia di Lammermoor poster

Lucia di Lammermoor (1911)

Overview

Metropolitan Opera stars, tenor Enrico Caruso and bass-baritone Pol Plancon, in a scene from the opera "Lucia di Lammermoor" filmed in Edison sound-on-disc process known as Cinephonograph.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Traditional

Political: Center
Diversity: Low
Christianity: Negative

Viewer Rating
5.1

Overview

Metropolitan Opera stars, tenor Enrico Caruso and bass-baritone Pol Plancon, in a scene from the opera "Lucia di Lammermoor" filmed in Edison sound-on-disc process known as Cinephonograph.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

Lucia di Lammermoor is a classic tragic opera centered on universal themes of love, duty, madness, and family conflict, which are largely apolitical in a modern context. The narrative focuses on the devastating personal consequences of rigid societal expectations and feuds rather than promoting a specific political ideology or solution.

This evaluation of 'Lucia di Lammermoor' assumes a traditional interpretation of the classic opera. Its casting is considered traditional, without explicit DEI-driven changes, and its narrative focuses on a romantic tragedy within its historical context, not engaging in modern critiques of traditional identities.

Secondary

The film portrays how Christian societal and religious norms, particularly regarding marriage and family honor, are manipulated by characters to enforce oppressive will, leading directly to the tragic suffering and madness of the protagonist. The institutions are used as tools within a cruel system.

The film "Lucia di Lammermoor" is an adaptation of Donizetti's opera, which centers on a tragic heterosexual love story amidst family feuds. There are no identifiable LGBTQ+ characters or themes present within the narrative, leading to a determination of N/A for its portrayal of LGBTQ+ elements.

The film, a performance of Donizetti's opera, does not feature any identifiable transsexual characters or themes. The narrative focuses on a tragic romance and political feuds in 17th-century Scotland, with no elements related to gender identity or transition.

The movie does not contain any action or adventure elements.

The 1911 film is an adaptation of Donizetti's opera, which itself is based on Sir Walter Scott's novel. There is no historical or critical evidence suggesting that any established character from the source material had their gender changed in this film adaptation.

The film adapts an opera set in Scotland, where characters are canonically white. There is no historical information or evidence to suggest that the 1911 film adaptation portrayed any of these characters as a different race.


Viewer Rating Breakdown

5.1

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
5.1
The Movie Database logo
N/A

Critic Ratings

Rotten Tomatoes logo
N/A
Metacritic logo
N/A

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