Center
6.8
Josée
(2020)
Political: Center
Diversity: Moderate
Madame (1987)
Madame (1987)
Overview
Widow Ok is the daughter-in-law of the Hwang family in Youngnam region, a family known for its generations of virtuous women. Widow Ok sticks to a life of principles and focuses on rearing her children. Chon-seok is a servant who has feelings for Ok but is resigned to admire from afar. Choi, a man of influence, has his eyes on Ok and wants to get rid of Chon-seok.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
Widow Ok is the daughter-in-law of the Hwang family in Youngnam region, a family known for its generations of virtuous women. Widow Ok sticks to a life of principles and focuses on rearing her children. Chon-seok is a servant who has feelings for Ok but is resigned to admire from afar. Choi, a man of influence, has his eyes on Ok and wants to get rid of Chon-seok.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
Based on the absence of provided thematic or narrative details, the film is assessed as neutral, lacking any discernible promotion of specific political ideologies or values.
Based on the director's non-Western name, the film is assessed as having visible diversity in its cast when viewed from a global perspective, without explicit recasting of traditionally white roles. Due to the absence of specific plot details, the narrative's framing of traditional identities and DEI themes is considered neutral, indicating no explicit critique or central focus on these aspects.
Secondary
Without any provided plot details or character descriptions for the film 'Madame', it is not possible to evaluate its portrayal of LGBTQ+ characters and themes according to the given rubric. Therefore, the portrayal is categorized as N/A.
Based on available information, the film 'Madame' (1987) does not contain identifiable transsexual characters or themes. Consequently, there is no discernible impact, positive or negative, on the portrayal of transsexual individuals within its narrative.
The movie does not contain any action or adventure elements.
The film "Madame" (1987) is an original South Korean drama and not an adaptation, biopic, or reboot of existing material. Therefore, it does not feature any characters with a pre-established canonical or historical gender that could be swapped.
The film "Madame" (1987) by In Soo Kim is not widely recognized as an adaptation of a work with established character races or a biopic of a historical figure. Without prior canonical or historical racial baselines, no race swap can be identified.
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