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Adventure, Family, Fantasy, Music • 1976 • 88 min

Mrs. Rada the Goat tells her five children to behave while she goes to the fair, and under no circumstances open the door to anyone except her. But the Big Bad Wolf, Kostika (Titi) Suru, and his nephew, the Little Bad Wolf, along with friends Rassul the Lynx and Petrika the Donkey has made a plan to kidnap the children while their mother is away. And when the eldest child, Matei, decides to disobey his mother and visit the fair himself, things start to go badly for the goat-family.
Lyudmila Gurchenko • Mikhail Boyarskiy • Oleg Popov
Mrs. Rada the Goat tells her five children to behave while she goes to the fair, and under no circumstances open the door to anyone except her. But the Big Bad Wolf, Kostika (Titi) Suru, and his nephew, the Little Bad Wolf, along with friends Rassul the Lynx and Petrika the Donkey has made a plan to kidnap the children while their mother is away. And when the eldest child, Matei, decides to disobey his mother and visit the fair himself, things start to go badly for the goat-family.
Lyudmila Gurchenko • Mikhail Boyarskiy • Oleg Popov
The film is a children's musical fairy tale centered on universal themes of maternal protection, family unity, and the triumph of good over evil, which are largely apolitical and do not align with a specific political ideology.
The film utilizes traditional casting practices consistent with its production era and region, without incorporating intentional diversity-driven recasting. Its narrative, a children's musical fable, maintains a neutral or positive framing of traditional identities and does not feature explicit DEI themes or critiques.
The film strongly portrays traditional family values through Mama Goat's role as a dedicated, protective mother and the narrative's emphasis on parental authority and the consequences of children's disobedience. The core story celebrates maternal love and the importance of family bonds.
The film "Mama" (1976) is a musical adaptation of the classic children's fairy tale "The Wolf and the Seven Kids." Its narrative focuses on animal characters and their interactions, without featuring any identifiable LGBTQ+ characters or themes. The story does not include elements that could be interpreted as queer representation.
The film 'Mama, 1976' is a musical fairy tale that does not feature any identifiable transgender characters or themes. The narrative focuses on anthropomorphic animals, specifically a mother goat and her kids, and a wolf, without any elements related to gender identity or transsexual experiences. The story is a straightforward children's adaptation of 'The Wolf and the Seven Young Kids'.
The film is a musical fairy tale. The primary female character, Mama Goat, does not engage in direct physical combat with male opponents. Conflicts are resolved through singing, dancing, cleverness, and the assistance of other characters, rather than physical confrontation where a female character defeats a male opponent.
The film is an adaptation of the classic fairy tale "The Wolf and the Seven Young Kids." The primary characters, Mama Goat and the Wolf, are portrayed with the same genders as established in the traditional source material. No significant character's gender was altered from its canonical or widely established form.
The film is an adaptation of an animal-centric fairy tale where the characters (Mother Goat, the Wolf, etc.) do not have an established human race in the source material. Therefore, their portrayal by actors of any specific race does not constitute a race swap.
Not depicted in the film.
Combines user and critic ratings from four sources






















