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Marching Powder (2025)
Middle-aged Jack, arrested for drugs, strives in six weeks to repair his marriage, curb a bullying in-law, and guide his stepbrother in the right direction, but all efforts fail as his life spirals further out of control.
Middle-aged Jack, arrested for drugs, strives in six weeks to repair his marriage, curb a bullying in-law, and guide his stepbrother in the right direction, but all efforts fail as his life spirals further out of control.
The film explicitly promotes a reactionary, populist ideology by validating anti-establishment, nationalist, and culturally conservative sentiments, while actively satirizing mainstream politics and targeting progressive social movements and minorities.
The film features traditional casting with a white male protagonist and a white female lead, without intentional race or gender swaps. Its narrative is marked by misogynistic language, negative portrayals of women and LGBTQ+ individuals, and a non-judgmental exploration of toxic masculinity, which collectively do not align with principles of diversity, equity, and inclusion.
Marching Powder portrays LGBTQ+ characters and themes negatively, relying on crude, dismissive, and stereotypical humor. It presents LGBTQ+ identity as a source of ridicule and cheap shots, reflecting a mean-spirited and derogatory viewpoint. The narrative offers no positive or progressive representation, instead using offensive stereotypes for shock value.
Based on available information, Marching Powder (2025) does not feature any identifiable transsexual characters or themes. The narrative centers on addiction, violence, and personal redemption, with no elements related to transgender or transsexual identities, experiences, or ideas.
Based on available information, the film focuses on male characters and their conflicts within a football hooligan subculture. There is no documented evidence or mention of any female character engaging in or winning direct physical combat against male opponents.
The film "Marching Powder" is an original work with no pre-existing source material or historical basis. Therefore, no characters have an established canonical gender to be compared against, meaning no gender swaps occur.
The film's casting aligns with the historical and sociological context of British football hooliganism, portraying major characters as White British. Supporting characters introduce some diversity, but no established character's race was changed from prior canon or history.
Combines user and critic ratings from four sources























