A closeted gay character serves as a loyal sidekick in this irreverent animated comedy, contributing humor through his exaggerated responses without centralizing or critiquing queer experiences. The depiction remains incidental, blending into the film's chaotic ensemble dynamics.

The film depicts marriage as a confining obligation that the protagonist flees, using dysfunctional relationships as comedic fodder without endorsing traditional family structures. Family elements remain peripheral to the central absurd adventure, resulting in a neutral portrayal overall.

The film depicts Christianity via Wimmy, an Evangelical Christian missionary portrayed as a repressed zealot and religious nutcase among the dysfunctional Mars crew. This characterization reinforces negative stereotypes through absurd, profane comedy focused on human depravity. No counterbalancing positive elements or narrative sympathy for the faith appear.