7.6
Viewer Rating
Combines user and critic ratings from four sources
Meet John Doe (1941)
Meet John Doe (1941)
Overview
As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole political movement.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Viewer Rating
7.6
Overview
As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed "John Doe," who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate "Doe." Ann and her bosses cynically milk the story for all it's worth, until the made-up "John Doe" philosophy starts a whole political movement.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film critiques the manipulation of populist movements by powerful, cynical elites but champions a solution rooted in universal human decency and individual moral action rather than systemic change, thus balancing its ideological leanings.
The film features a cast that is predominantly white, reflecting traditional casting practices of its time, with no apparent intentional diversity in character roles. The narrative does not critique or negatively portray traditional identities, instead focusing on broader societal themes.
Secondary
The film champions a 'John Doe philosophy' rooted in neighborly love, community, and selflessness, which strongly echoes Christian ethical principles. While it critiques the cynical exploitation of these ideals, the narrative ultimately affirms the inherent goodness and transformative power of such values.
Meet John Doe does not feature any identifiable LGBTQ+ characters or themes within its narrative. The film's focus is entirely on its central plot concerning a fictional character inspiring a social movement, with no elements related to queer identity or experiences.
The film "Meet John Doe" does not feature any identifiable transsexual characters or themes. Its narrative focuses on social commentary, populism, and media manipulation, without engaging with transgender identity in any capacity.
The movie does not contain any action or adventure elements.
Meet John Doe is an original film from 1941, not an adaptation of pre-existing material with established characters. All characters were created for this specific film, meaning there are no prior canonical or historical genders to swap.
Meet John Doe (1941) is an original film with characters created for its screenplay. There is no prior source material, historical record, or previous installment from which characters' races were established and subsequently changed.
Viewer Rating Breakdown
User Ratings
7.6
7.3
Critic Ratings
9.2
6.3
More Like This
Traditional
8.2
Mr. Smith Goes to Washington
(1939)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
Broadway Bill
(1934)
Political: Center
Diversity: Low
Leans Traditional
8.6
It Happened One Night
(1934)
Political: Center
Diversity: Low
Leans Traditional
7.8
Sabrina
(1954)
Political: Center
Diversity: Low
Leans Traditional
7.7
Knocked Up
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.4
Lars and the Real Girl
(2007)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Lost Boys
(1987)
Political: Center
Diversity: Low
Leans Traditional
7.1
Sleepless in Seattle
(1993)
Political: Center
Diversity: Low
Leans Traditional
8.0
Licorice Pizza
(2021)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.9
42nd Street
(1933)
Political: Center
Diversity: Low
Leans Traditional
6.9
Quartet
(2012)
Political: Center
Diversity: Low
Center
8.3
Moonrise Kingdom
(2012)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
7.8
Enough Said
(2013)
Political: Center
Diversity: Low
Leans Traditional
6.6
Café Society
(2016)
Political: Center
Diversity: Low
Traditional
8.4
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low
Leans Traditional
8.6
La La Land
(2016)
Political: Center
Diversity: Low
Center
7.9
Breakfast at Tiffany's
(1961)
Political: Center
Diversity: Low
Leans Traditional
8.6
Annie Hall
(1977)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.0
Juno
(2007)
Political: Center
Diversity: Low
Leans Traditional
9.0
City Lights
(1931)
Political: Center
Diversity: Low