7.5
Viewer Rating
Combines user and critic ratings from four sources
Moby Dick—Rehearsed (1955)
Moby Dick—Rehearsed (1955)
Overview
A meta-theatrical adaptation of Moby-Dick in which a rehearsal evolves into a full performance, as actors are absorbed into the roles of Ishmael, Starbuck, and Ahab in a stripped-down, imagination-driven staging. Filmed by Orson Welles in 1955, the footage remains unreleased and is considered lost.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Low
Gender Swap: Yes
Race Swap: Yes
Christianity: Positive
Viewer Rating
7.5
Overview
A meta-theatrical adaptation of Moby-Dick in which a rehearsal evolves into a full performance, as actors are absorbed into the roles of Ishmael, Starbuck, and Ahab in a stripped-down, imagination-driven staging. Filmed by Orson Welles in 1955, the footage remains unreleased and is considered lost.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central exploration of human obsession, hubris, and the existential struggle against nature presents universal philosophical themes rather than promoting a specific political ideology.
The play features traditional casting, consistent with its historical context and source material, without intentional race or gender swaps for diversity. Its narrative focuses on the dramatic themes of the original novel, rather than offering a critique of traditional identities or making DEI themes central to its plot.
Secondary
In this adaptation of Herman Melville's novel, the canonically male character Pip is portrayed by a female actress, Joan Plowright, within the film's 'rehearsal' framework.
The film adapts characters from Herman Melville's novel "Moby Dick." Characters canonically established as Polynesian (Queequeg), Black (Daggoo), and Native American (Tashtego) were portrayed by white actors, constituting race swaps from their source material.
The film explores Christian themes and characters, particularly Starbuck's devout Quaker faith, with respect and nuance. Captain Ahab's defiant struggle against a perceived divine or fated malevolence is portrayed as tragic and ultimately destructive, rather than a critique of Christianity itself.
The film "Moby Dick Rehearsed" does not feature any identifiable LGBTQ+ characters or themes. Its narrative focuses on a theatrical company rehearsing Herman Melville's novel, without exploring queer identities or relationships within its plot or character arcs.
The film "Moby Dick Rehearsed" (1955), an adaptation of Herman Melville's novel and Orson Welles' stage play, does not feature any identifiable transsexual characters or themes. Its narrative focuses on Captain Ahab's obsessive pursuit of the white whale and the theatrical rehearsal process, with no elements related to transgender identity.
The movie does not contain any action or adventure elements.
Viewer Rating Breakdown
User Ratings
7.5
N/A
Critic Ratings
N/A
N/A
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