Progressive
7.2
The Original Kings of Comedy
(2000)
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Diversity: High
Moscow, Capital of the USSR (1947)
Moscow, Capital of the USSR (1947)
Overview
An overview of the history of Moscow from the October Revolution to postwar reconstruction.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Progressive
Political: Strong Left
Diversity: Low
Christianity: Negative
Viewer Rating
Not Rated
Overview
An overview of the history of Moscow from the October Revolution to postwar reconstruction.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film explicitly promotes communist ideology by glorifying Moscow as the capital of the USSR, showcasing the achievements and strength of the Soviet socialist system.
The film, titled 'Moscow, Capital of the USSR,' features traditional casting reflecting the historical demographics of its setting. Its narrative focuses on a positive portrayal of the city and its inhabitants, without engaging in modern DEI critiques of traditional identities.
Secondary
As a Soviet propaganda film from 1947, the narrative implicitly or explicitly presents Christianity as an outdated system, contrasting it with the progress and secularism of the Soviet state. It frames religion as a relic of the past, superseded by modern Soviet ideology.
This 1930 Soviet documentary, 'Moscow, Capital of the USSR,' focuses on the city's daily life and achievements. No identifiable LGBTQ+ characters or themes are present in the film's narrative or its portrayal of society, leading to a determination of N/A for LGBTQ+ depiction.
Based on the provided input, the film 'Moscow, Capital of the USSR' does not appear to feature any identifiable transsexual characters or themes. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
The film "Moscow, Capital of the USSR" (1947) is a documentary. It does not feature fictional characters from source material or reboots of legacy characters. While it may depict historical figures or general populace, there is no indication of any character, historical or otherwise, being portrayed with a different gender than their established or actual identity.
The film is a 1947 Soviet documentary or historical portrayal of Moscow. It does not feature fictional characters with pre-established races, nor is there any indication of historical figures being portrayed by actors of a different race.
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