5.7
Viewer Rating
Combines user and critic ratings from four sources
Nine 1/2 Weeks (1986)
Nine 1/2 Weeks (1986)
Overview
An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
5.7
Overview
An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's core conflict revolves around the psychological and emotional dynamics of a highly personal, destructive relationship, with the solution being individual self-preservation rather than a broader societal or political statement, leading to a neutral rating.
The movie '9½ Weeks' features a predominantly white cast in its main and supporting roles, consistent with traditional casting practices of the 1980s. Its narrative centers on the intense relationship between two heterosexual characters, without engaging in critical portrayals of traditional identities or incorporating explicit DEI themes.
Secondary
The film '9½ Weeks' centers entirely on the intense, often volatile, heterosexual relationship between Elizabeth and John. There are no identifiable LGBTQ+ characters or themes present in the narrative, thus no portrayal to evaluate within the scope of this framework.
The film "Nine 1/2 Weeks" (1986) does not feature any identifiable transsexual characters or themes. The narrative focuses exclusively on the intense, erotic relationship between a man and a woman, with no elements related to transgender identity or experiences present in the plot or character development.
The movie does not contain any action or adventure elements.
The film "9½ Weeks" is an adaptation of a novel. The main characters, Elizabeth and John, retain their original genders from the source material in the film adaptation. There are no instances of established characters being portrayed as a different gender.
The film "9½ Weeks" is an adaptation of an autobiographical novel. The main characters, Elizabeth and John, are portrayed by white actors (Kim Basinger and Mickey Rourke), consistent with their depiction in the source material and the real individuals they are based on. There are no instances of characters being portrayed by a different race than established.
Viewer Rating Breakdown
User Ratings
5.9
6.1
Critic Ratings
5.8
5.0
More Like This
Traditional
7.0
Fatal Attraction
(1987)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
Lili
(1953)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Fault in Our Stars
(2014)
Political: Center
Diversity: Low
Leans Traditional
7.4
The Guernsey Literary & Potato Peel Pie Society
(2018)
Political: Center
Diversity: Low
Traditional
6.7
My Christmas Hero
(2023)
Political: Leans Right
Diversity: Low
Leans Traditional
7.6
Rachel, Rachel
(1968)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.7
A Yank at Oxford
(1938)
Political: Center
Diversity: Low
Leans Traditional
6.7
An Unremarkable Life
(1989)
Political: Center
Diversity: Low
Leans Traditional
8.3
7th Heaven
(1927)
Political: Center
Diversity: Low
Leans Traditional
6.7
Star!
(1968)
Political: Center
Diversity: Low
Leans Traditional
6.6
The Europeans
(1979)
Political: Center
Diversity: Low
Leans Traditional
8.3
A Woman Under the Influence
(1974)
Political: Center
Diversity: Low
Leans Traditional
6.6
The Notebook
(2004)
Political: Center
Diversity: Low
Leans Traditional
6.7
Breezy
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.0
Hello, My Name Is Doris
(2015)
Political: Center
Diversity: Low
Leans Traditional
8.6
La La Land
(2016)
Political: Center
Diversity: Low
Leans Traditional
6.8
The Dressmaker from Paris
(1925)
Political: Center
Diversity: Low
Leans Traditional
7.4
Anna Karenina
(1935)
Political: Center
Diversity: Low
Leans Traditional
8.6
Piya Milan ki Aas
(1961)
Political: Center
Diversity: Low
Leans Traditional
7.9
Romeo and Juliet
(1968)
Political: Center
Diversity: Low