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North and West of the Great Glen (1952)

North and West of the Great Glen poster

North and West of the Great Glen (1952)

Overview

Scenes of the lochs and mountains of the Highlands.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Progressive
Political: Center
Diversity: High

Viewer Rating

Not Rated


Overview

Scenes of the lochs and mountains of the Highlands.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film's subject matter, a geographical region, does not inherently possess a political valence, and no specific thematic content is provided to suggest any political leanings.

The film features casting consistent with its traditional Chinese source material. The narrative prominently explores themes of gender roles and societal expectations, particularly through its depiction of a female character challenging established norms and the impact of patriarchal structures on individual agency.

Secondary

The film "Liang Shanbo and Zhu Yingtai" features a female character who cross-dresses as a man. However, this is a narrative device for a heterosexual romance, not an exploration of gender identity or same-sex love. The story's core themes revolve around class, arranged marriage, and tragic heterosexual love, with no identifiable LGBTQ+ characters or themes present.

No information regarding the plot, characters, or themes of 'North and West of the Great Glen' (1952) is available. Consequently, it is not possible to assess the presence or portrayal of transsexual characters or related themes within the film.

The movie does not contain any action or adventure elements.

The film adapts 'The Butterfly Lovers,' where Zhu Yingtai, a canonically female character, disguises herself as a male student within the story. This portrayal maintains her established gender, falling under the exclusion for in-plot gender disguise rather than a canonical gender swap.

The film is an adaptation of a classic Chinese folk tale. The characters, canonically Chinese, were portrayed by Chinese actors in this 1952 Hong Kong production, aligning with their established race.


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