Progressive
8.3
Children of Men
(2006)
Political: Leans Left
Diversity: High
North and West of the Great Glen (1952)
North and West of the Great Glen (1952)
Overview
Scenes of the lochs and mountains of the Highlands.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Progressive
Political: Strong Left
Diversity: High
LGBTQ: Positive
Viewer Rating
Not Rated
Overview
Scenes of the lochs and mountains of the Highlands.
Starring Cast
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly critiques traditional societal structures, particularly arranged marriage and patriarchal gender roles, by championing individual freedom and love against systemic oppression, aligning it with progressive ideology.
The film features casting consistent with its traditional Chinese source material. The narrative prominently explores themes of gender roles and societal expectations, particularly through its depiction of a female character challenging established norms and the impact of patriarchal structures on individual agency.
Secondary
The film portrays a deep and respectful bond between Liang Shanbo and Zhu Yingtai, who is disguised as a man. Liang Shanbo's love for 'him' is depicted with dignity, and the tragedy stems from external societal pressures rather than the nature of their initial same-sex-perceived attraction. This affirms the worth of love that transcends perceived gender.
No information regarding the plot, characters, or themes of 'North and West of the Great Glen' (1952) is available. Consequently, it is not possible to assess the presence or portrayal of transsexual characters or related themes within the film.
The movie does not contain any action or adventure elements.
The film adapts the classic Chinese legend where Zhu Yingtai, a female character, disguises herself as a male student. This portrayal aligns with her canonical gender and the in-plot disguise does not constitute a gender swap as per the definition.
The film is an adaptation of a classic Chinese folk tale. The characters, canonically Chinese, were portrayed by Chinese actors in this 1952 Hong Kong production, aligning with their established race.
More Like This
Progressive
7.1
Last Night in Soho
(2021)
Political: Leans Left
Diversity: High
Leans Progressive
7.1
GoldenEye
(1995)
Political: Leans Right
Diversity: High
Female Combat: Yes
Leans Progressive
7.5
Supernova
(2020)
Political: Center
Diversity: Moderate
LGBTQ: Positive
Progressive
7.1
Mickey 17
(2025)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Progressive
8.2
Pride
(2014)
Political: Strong Left
Diversity: High
LGBTQ: Positive
Progressive
7.7
28 Days Later
(2002)
Political: Leans Left
Diversity: High
Progressive
7.6
Roald Dahl's Matilda the Musical
(2022)
Political: Leans Left
Diversity: High
Leans Progressive
8.9
Lawrence of Arabia
(1962)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Progressive
7.9
Good Luck to You, Leo Grande
(2022)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Progressive
7.2
Wonka
(2023)
Political: Strong Left
Diversity: High
Progressive
7.7
Maurice
(1987)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.8
The Substance
(2024)
Political: Strong Left
Diversity: Moderate
Leans Progressive
6.7
I Accuse!
(1958)
Political: Strong Left
Diversity: Low
Leans Progressive
7.0
Bend It Like Beckham
(2002)
Political: Leans Left
Diversity: Moderate
LGBTQ: Neutral
Leans Progressive
7.8
Billy Elliot
(2000)
Political: Leans Left
Diversity: Moderate
LGBTQ: Positive
Leans Progressive
7.5
Harry Potter and the Order of the Phoenix
(2007)
Political: Leans Left
Diversity: Moderate
Leans Progressive
7.4
28 Years Later
(2025)
Political: Strong Left
Diversity: Moderate
Center
7.7
Mrs. Harris Goes to Paris
(2022)
Political: Center
Diversity: Low
LGBTQ: Positive
Leans Progressive
7.9
Paddington
(2014)
Political: Leans Left
Diversity: Moderate