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Combines user and critic ratings from four sources
Thriller, Mystery • 2015 • 111 min

Office is a 2015 South Korean thriller that delves into the toxic pressures of a cutthroat corporate culture. Centered on a detective investigating a murderer within a company, the film unflinchingly portrays office life as a breeding ground for mental breakdown and violence. Its public label 'Leans Progressive' stems from a strong critique of workplace exploitation and the resulting psychological decay. The film avoids direct engagement with LGBTQ themes, gender swaps, or racial recasting, keeping its attention on the corrosive effects of business environments rather than social issues. This creates a pointed commentary within a familiar thriller setting.
Ko Ah-sung • Lee Chae-eun • Kim Eui-sung
Office is a 2015 South Korean thriller that delves into the toxic pressures of a cutthroat corporate culture. Centered on a detective investigating a murderer within a company, the film unflinchingly portrays office life as a breeding ground for mental breakdown and violence. Its public label 'Leans Progressive' stems from a strong critique of workplace exploitation and the resulting psychological decay. The film avoids direct engagement with LGBTQ themes, gender swaps, or racial recasting, keeping its attention on the corrosive effects of business environments rather than social issues. This creates a pointed commentary within a familiar thriller setting.
Ko Ah-sung • Lee Chae-eun • Kim Eui-sung
The film's central thesis is an explicit and unsparing critique of the dehumanizing and exploitative nature of modern corporate culture, portraying it as a system that drives individuals to psychological breakdown and violence.
The film features a cast that reflects its South Korean cultural origin, without engaging in explicit racial or gender recasting of roles traditionally associated with other demographics. Its narrative focuses on the psychological horror within a corporate environment, critiquing the dehumanizing aspects of workplace culture and hierarchy, rather than explicitly targeting traditional identities or promoting specific DEI themes.
The film's narrative primarily focuses on corporate horror and psychological tension, with a family murder serving as an inciting incident rather than a detailed exploration or commentary on family structures, roles, or values. There is insufficient content to determine an endorsement or critique of any particular family model.
The film 'Office, 2015' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on a psychological thriller within a corporate setting, exploring themes of workplace pressure and mental health without incorporating queer identities or experiences into its plot or character arcs.
The film 'Office, 2015' does not feature any identifiable transsexual characters or explore themes related to transsexual identity. Its narrative centers on a murder investigation and the psychological impact of a toxic corporate environment on its employees, with no elements pertaining to transgender experiences.
The movie does not contain any action or adventure elements.
The film "Office (2015)" is an original South Korean horror-thriller. It does not adapt characters from prior source material, historical records, or established franchises, meaning all characters are original creations for this specific film. Therefore, no gender swaps occurred.
The film "Office" (2015) is an original South Korean production featuring new characters. There is no prior source material or established canon from which characters' races could have been altered.
Not depicted in the film.
Combines user and critic ratings from four sources























