Traditional
8.4
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low
Old Lady 31 (1920)
Old Lady 31 (1920)
Overview
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Christianity: Positive
Viewer Rating
Not Rated
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film addresses the universal human experience of aging, loss, and finding community, focusing on personal adaptation rather than explicitly promoting a specific political ideology or advocating for systemic change, leading to a neutral rating.
This film exhibits traditional casting and narrative framing, consistent with the filmmaking practices of its era. There is no indication of intentional diversity-driven casting or explicit DEI themes being central to its narrative.
Secondary
The film, set in a charitable institution, implicitly aligns with Christian values of community, kindness, and care for the elderly. The narrative promotes these virtues through the characters' resilience and mutual support, presenting a generally affirming view of a moral framework often associated with Christianity in that era.
Old Lady 31 does not feature any identifiable LGBTQ+ characters or themes. The story focuses on an elderly heterosexual couple's efforts to remain united, with no elements related to queer identity or experiences within its narrative.
The film 'Old Lady 31' does not feature any identifiable transsexual characters or themes. The plot involves a male character cross-dressing for a situational disguise, which is distinct from a portrayal of transsexual identity or experience.
The movie does not contain any action or adventure elements.
The 1920 film "Old Lady 31" is an adaptation of a novel and play. The main male character, Captain Abe, retains his established gender in the film. There is no evidence of any character's gender being changed from the source material.
Based on the source material (a 1909 novel and 1916 play) and the 1920 film's cast, there is no indication that any character canonically established as one race was portrayed as a different race. The film's portrayal aligns with the implied racial context of its source.
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