Viewer Rating
Combines user and critic ratings from four sources

Omniscient Reader: The Prophecy (2025)
Kim Dok-ja, an ordinary man in his 20s, is the only reader of an obscure web novel titled "Three Ways to Survive the Apocalypse". After having read the last chapter, the novel suddenly becomes reality, and its omnipotent hero Yu Jung-hyeok appears before Kim. As the only person who knows how to survive in this world, Kim and his companions strive to save the world by writing his own, new ending.
Kim Dok-ja, an ordinary man in his 20s, is the only reader of an obscure web novel titled "Three Ways to Survive the Apocalypse". After having read the last chapter, the novel suddenly becomes reality, and its omnipotent hero Yu Jung-hyeok appears before Kim. As the only person who knows how to survive in this world, Kim and his companions strive to save the world by writing his own, new ending.
The film focuses on apolitical, philosophical themes of fate versus free will and universal human values like solidarity and survival within a fantasy/action genre, without explicit political messaging or real-world partisan commentary.
The movie features an entirely Korean cast and is a South Korean production, which, while not fitting a Western 'traditional' mold, does not involve explicit DEI-driven recasting of traditionally white roles. The narrative explores themes of fate and free will in an apocalyptic setting, with no indication of critical portrayals of traditional identities or explicit DEI themes central to the story.
Based on available plot summaries, reviews, and promotional materials, Omniscient Reader: The Prophecy (2025) does not feature any explicitly identified LGBTQ+ characters or themes. All consulted sources consistently omit any mention of queer identity, relationships, or plotlines, indicating an absence of identifiable LGBTQ+ representation in the film's reported content.
Based on comprehensive reviews, plot summaries, and marketing materials for *Omniscient Reader: The Prophecy* (2025), there is no indication of transsexual characters, transgender themes, or gender/sexual transformation elements within the film's narrative or character arcs. All major sources consistently report an absence of such depictions, leading to an N/A rating.
Available information does not describe any scenes where female characters engage in or are victorious in direct physical combat against male opponents. While one female character is a sniper and participates in a group effort against a beast, no specific close-quarters victories over men are detailed.
The film's characters maintain the same genders as established in the source web novel, *Omniscient Reader's Viewpoint*. No on-screen portrayals differ from their canonical genders.
The film is a South Korean adaptation of a South Korean web novel, featuring an entirely Korean main cast. There is no information to suggest any character's race has been changed from the original source material.
Combines user and critic ratings from four sources






















