Viewer Rating
Combines user and critic ratings from four sources

Omniscient Reader: The Prophecy (2025)
Kim Dok-ja, an ordinary man in his 20s, is the only reader of an obscure web novel titled "Three Ways to Survive the Apocalypse". After having read the last chapter, the novel suddenly becomes reality, and its omnipotent hero Yu Jung-hyeok appears before Kim. As the only person who knows how to survive in this world, Kim and his companions strive to save the world by writing his own, new ending.
Kim Dok-ja, an ordinary man in his 20s, is the only reader of an obscure web novel titled "Three Ways to Survive the Apocalypse". After having read the last chapter, the novel suddenly becomes reality, and its omnipotent hero Yu Jung-hyeok appears before Kim. As the only person who knows how to survive in this world, Kim and his companions strive to save the world by writing his own, new ending.
The film's central conflict revolves around philosophical themes of fate versus free will and collective agency in an apocalyptic fantasy setting, without explicit political messaging or alignment with specific partisan ideologies, leading to a neutral rating.
The film features an all-South Korean cast, which is traditional for a South Korean production, and available information indicates no explicit DEI aspects or leanings in its narrative or framing. The focus is on action, fantasy, and philosophical themes, without referencing diversity, equity, or inclusion topics.
Information regarding the portrayal of LGBTQ+ characters or themes in 'Omniscient Reader: The Prophecy, 2025' is not available. Current search results focus on plot, cast, and general reception, without addressing any aspects of LGBTQ+ representation, making an assessment impossible.
Based on available information, *Omniscient Reader: The Prophecy* does not appear to feature transsexual characters or themes. Plot descriptions focus on an apocalyptic world, character alliances, and fantasy elements, with no indication of gender/sexual transformation or related portrayals.
Based on the available web search information, no combat scenes have been identified where a female character is depicted as victorious in close-quarters physical combat against one or more male opponents.
The film's characters, including Kim Dok-ja, Yoo Joong-hyuk, and Yoo Sang-ah, maintain the same gender as established in the source web novel, with no on-screen portrayals differing from their canonical genders.
The provided information explicitly states that details regarding the established ethnicity, regional origin, or appearance of characters in the source material (the web novel) are not available. Without this crucial information, it is impossible to determine if any character's race has been changed from the original canon.
Combines user and critic ratings from four sources























