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One, Two, Three (1961)
In Cold War-era West Berlin, American Coca-Cola executive C.R. 'Mac' MacNamara is tasked with playing babysitter to his boss' spoiled 17-year-old daughter Scarlett, who proves more difficult than anticipated when she reveals that she is pregnant by a Communist.
In Cold War-era West Berlin, American Coca-Cola executive C.R. 'Mac' MacNamara is tasked with playing babysitter to his boss' spoiled 17-year-old daughter Scarlett, who proves more difficult than anticipated when she reveals that she is pregnant by a Communist.
While satirizing both American corporate ruthlessness and Soviet bureaucracy, the film ultimately champions the practical superiority of capitalism, as its central conflict is resolved by the communist character's transformation into a capitalist.
The film features traditional casting with a predominantly white ensemble, consistent with its 1960s production and Cold War Berlin setting. Its narrative focuses on political satire and character-driven comedy, without explicitly critiquing or negatively portraying traditional identities in a DEI-focused manner.
The film satirizes anti-Semitism through a character's prejudiced remark, framing bigotry as a negative trait and positioning the audience to condemn it.
The film 'One, Two, Three' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on Cold War political satire and heterosexual relationships, resulting in no portrayal of queer identity within the story.
The film "One, Two, Three" (1961) is a Cold War-era political satire that does not feature any identifiable transsexual characters or themes. Its narrative focuses on comedic situations involving an American executive in West Berlin, without engaging with transgender identity or related topics.
The movie does not contain any action or adventure elements.
The film "One, Two, Three" is an adaptation of Ferenc Molnár's play. All major characters in the film retain the same gender as their counterparts in the original source material, with no instances of a character established as one gender being portrayed as another.
The film "One, Two, Three" (1961) is an adaptation of a play and features original characters without established racial identities that were altered. There are no historical figures or legacy characters whose race was changed.
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