7.8
Viewer Rating
Combines user and critic ratings from four sources
One, Two, Three (1961)
One, Two, Three (1961)
Overview
C.R. MacNamara is a managing director for Coca-Cola in West Berlin during the Cold War, just before the Wall is put up. When Scarlett, the rebellious daughter of his boss, comes to West Berlin, MacNamara has to look after her, but this turns out to be a difficult task when she reveals to be married to a communist.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Judaism: Positive
Viewer Rating
7.8
Overview
C.R. MacNamara is a managing director for Coca-Cola in West Berlin during the Cold War, just before the Wall is put up. When Scarlett, the rebellious daughter of his boss, comes to West Berlin, MacNamara has to look after her, but this turns out to be a difficult task when she reveals to be married to a communist.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
While satirizing both American corporate ruthlessness and Soviet bureaucracy, the film ultimately champions the practical superiority of capitalism, as its central conflict is resolved by the communist character's transformation into a capitalist.
The film features traditional casting with a predominantly white ensemble, consistent with its 1960s production and Cold War Berlin setting. Its narrative focuses on political satire and character-driven comedy, without explicitly critiquing or negatively portraying traditional identities in a DEI-focused manner.
Secondary
The film satirizes anti-Semitism through a character's prejudiced remark, framing bigotry as a negative trait and positioning the audience to condemn it.
The film 'One, Two, Three' does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on Cold War political satire and heterosexual relationships, resulting in no portrayal of queer identity within the story.
The film "One, Two, Three" (1961) is a Cold War-era political satire that does not feature any identifiable transsexual characters or themes. Its narrative focuses on comedic situations involving an American executive in West Berlin, without engaging with transgender identity or related topics.
The movie does not contain any action or adventure elements.
The film "One, Two, Three" is an adaptation of Ferenc Molnár's play. All major characters in the film retain the same gender as their counterparts in the original source material, with no instances of a character established as one gender being portrayed as another.
The film "One, Two, Three" (1961) is an adaptation of a play and features original characters without established racial identities that were altered. There are no historical figures or legacy characters whose race was changed.
Viewer Rating Breakdown
User Ratings
7.8
7.5
Critic Ratings
8.8
7.3
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