5.9
Viewer Rating
Combines user and critic ratings from four sources
Our Modern Maidens (1929)
Our Modern Maidens (1929)
Overview
Young, vivacious Billie uses her charms on influential businessman Glenn Abbott in hopes of getting her secret fiancé Gil a diplomatic appointment. Meanwhile, Gil's affections meander to beautiful ingenue Kentucky, Billie's best friend.
Starring Cast
Where to watch
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
5.9
Overview
Young, vivacious Billie uses her charms on influential businessman Glenn Abbott in hopes of getting her secret fiancé Gil a diplomatic appointment. Meanwhile, Gil's affections meander to beautiful ingenue Kentucky, Billie's best friend.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film functions primarily as a social commentary on the changing roles and freedoms of women during the flapper era, exploring individual choices and their consequences without explicitly promoting a specific political ideology or offering an ideologically-driven solution.
This 1929 film features traditional casting practices, reflecting the industry norms of its era with a predominantly white cast and no intentional race or gender swaps. Its narrative maintains a neutral or positive framing of traditional identities, without engaging in critical portrayals or explicit DEI themes.
Secondary
Our Modern Maidens is a romantic drama from 1929 centered on heterosexual relationships and the choices of young women. There are no identifiable LGBTQ+ characters or themes present in the film's plot or character arcs, resulting in no depiction of queer identity.
The film "Our Modern Maidens" is a 1929 romantic drama focused on young women navigating societal expectations and relationships in the Jazz Age. There are no identifiable transsexual characters or themes present in the narrative, leading to an N/A rating for portrayal.
The movie does not contain any action or adventure elements.
This 1929 film is a direct sequel to "Our Dancing Daughters" (1928). It continues the stories of its established characters without altering their genders from the previous installment or any other source material.
This 1929 film is an original production and a sequel to "Our Dancing Daughters." The characters were created for these films, and there is no prior source material or historical record establishing their race differently from their on-screen portrayal.
Viewer Rating Breakdown
User Ratings
6.2
5.5
Critic Ratings
N/A
N/A
More Like This
Traditional
8.1
The Women
(1939)
Political: Leans Right
Diversity: Low
Leans Traditional
6.7
The Upside of Anger
(2005)
Political: Center
Diversity: Low
Leans Traditional
8.3
Roman Holiday
(1953)
Political: Center
Diversity: Low
Leans Traditional
6.7
Mrs. Doubtfire
(1993)
Political: Center
Diversity: Low
Leans Traditional
6.9
Dog
(2022)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.7
Grand Hotel
(1932)
Political: Center
Diversity: Low
Leans Traditional
7.9
When Harry Met Sally...
(1989)
Political: Center
Diversity: Low
Leans Traditional
8.1
Little Miss Sunshine
(2006)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
8.0
The King of Comedy
(1982)
Political: Center
Diversity: Low
Traditional
8.3
Manhattan
(1979)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.8
The Apartment
(1960)
Political: Center
Diversity: Low
Traditional
8.2
Forrest Gump
(1994)
Political: Leans Right
Diversity: Low
Leans Traditional
7.8
Dinner at Eight
(1933)
Political: Center
Diversity: Low
Leans Traditional
7.7
Knocked Up
(2007)
Political: Center
Diversity: Low
Center
7.9
Breakfast at Tiffany's
(1961)
Political: Center
Diversity: Low
Leans Traditional
7.5
The War of the Roses
(1989)
Political: Center
Diversity: Low
Leans Traditional
8.1
Groundhog Day
(1993)
Political: Center
Diversity: Low
Leans Traditional
8.5
The Sting
(1973)
Political: Center
Diversity: Low
Leans Traditional
7.9
High Fidelity
(2000)
Political: Center
Diversity: Low
Traditional
8.4
Meet Me in St. Louis
(1944)
Political: Leans Right
Diversity: Low