Viewer Rating
Combines user and critic ratings from four sources
Comedy, Drama • 2019 • 89 min • Adults (18+)

Paddleton is a quiet 2019 drama about two socially awkward neighbors whose friendship deepens when one is diagnosed with terminal cancer. Mark Duplass and Ray Romano carry a film that is less about illness than about the kind of bond that substitutes for everything else: family, romance, community. That chosen-family structure is the clearest driver of the Leans Progressive label. The film frames end-of-life autonomy with sympathy, and the two men's co-dependent, intensely close relationship resists easy categorization. Biological family is absent; conventional life milestones are absent. What remains is a secular, intimate portrait of two men deciding what a life, and an ending, should look like on their own terms.
Christine Woods • Mark Duplass • Ray Romano
Paddleton is a quiet 2019 drama about two socially awkward neighbors whose friendship deepens when one is diagnosed with terminal cancer. Mark Duplass and Ray Romano carry a film that is less about illness than about the kind of bond that substitutes for everything else: family, romance, community. That chosen-family structure is the clearest driver of the Leans Progressive label. The film frames end-of-life autonomy with sympathy, and the two men's co-dependent, intensely close relationship resists easy categorization. Biological family is absent; conventional life milestones are absent. What remains is a secular, intimate portrait of two men deciding what a life, and an ending, should look like on their own terms.
Christine Woods • Mark Duplass • Ray Romano
The film's narrative champions individual autonomy and dignity in end-of-life choices, framed through a compassionate and deeply personal friendship, which aligns with progressive values.
The movie features a predominantly white main cast, focusing on the relationship between two white male friends. Its narrative explores themes of friendship and mortality without critiquing traditional identities or centering on explicit DEI themes.
The film centers on the profound, loving, and co-dependent bond between two middle-aged men, Michael and Andy. While their relationship is not explicitly labeled, its depth, intimacy, and commitment are portrayed with immense dignity and empathy, often resonating as a queer-platonic or implicitly romantic connection. The narrative affirms the worth and complexity of their unique bond without judgment or negative stereotypes.
The film centers entirely on a platonic, cohabiting friendship that functions as a chosen family, celebrating this alternative structure as the primary support system for end-of-life decisions, in the complete absence of traditional family norms, marriage, or biological family involvement.
The film "Paddleton" focuses on the deep friendship between two cisgender men, Michael and Andy, as Michael confronts a terminal illness. The narrative explores themes of mortality, companionship, and end-of-life decisions. There are no identifiable transgender characters or themes depicted within the story.
The movie does not contain any action or adventure elements.
Paddleton is an original film, not an adaptation of pre-existing source material. All characters were created specifically for this movie, thus none were previously established with a different gender.
Paddleton is an original film with no prior source material, historical figures, or previous adaptations. All characters were created for this specific production, meaning there is no established baseline race for any character to be swapped from.
Not depicted in the film.
Combines user and critic ratings from four sources























