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Pakhta-Oy (1952)

Pakhta-Oy poster

Pakhta-Oy (1952)

Overview

A fairy tale film about the significance of cotton in people's lives and the struggle of humans against pests in cotton fields.


Starring Cast


Rating & Dimensions

Bias Rating
Analyzing...
Leans Progressive

Political: Strong Left
Diversity: Moderate
Islam: Negative

Viewer Rating

Not Rated


Overview

A fairy tale film about the significance of cotton in people's lives and the struggle of humans against pests in cotton fields.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film explicitly promotes collective socialist labor and state-led economic development as the solution to societal challenges, reflecting its Soviet origin and didactic purpose.

This 1951 Soviet Uzbek film naturally features a diverse cast reflecting its Central Asian setting, rather than intentionally recasting traditionally white roles. The narrative focuses on themes relevant to its historical context, without explicitly critiquing traditional identities in a modern DEI framework.

Secondary

As a Soviet-era production, the film likely depicts Islam and its traditional practices as superstitious or an impediment to socialist progress and modern development, aligning with the state's anti-religious stance.

The film 'Pakhta-Oy' does not feature any discernible LGBTQ+ characters or themes. Its narrative, consistent with the period and region of its production, does not engage with queer identity in any capacity, resulting in a net impact of N/A.

Pakhta-Oy (1952) is a Soviet-era film centered on agricultural themes and the challenges of cotton cultivation in Uzbekistan. The movie does not feature any identifiable transsexual characters or themes, leading to a determination of N/A for its portrayal of such identities.

The movie does not contain any action or adventure elements.

This 1952 Uzbek musical film is an early adaptation of a folk tale or an original story. There is no widely established prior canon or historical record indicating that any significant character's gender was altered from a previously established portrayal.

Pakhta-Oy is a 1952 Soviet Uzbek film depicting local life and characters. There is no evidence of any character being established as one race in prior source material or history and then portrayed as a different race in this production.


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