2.6
Viewer Rating
Combines user and critic ratings from four sources
Paris Exposition (1900)
Paris Exposition (1900)
Overview
A panoramic bird's-eye view of Paris and the Exposition. Taken from a captive balloon, the camera being pointed downward so that the exact effect is obtained that one would have in looking over the side car of a balloon. The figures of the people below are mere dots, and the buildings are seen in complete groups.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
2.6
Overview
A panoramic bird's-eye view of Paris and the Exposition. Taken from a captive balloon, the camera being pointed downward so that the exact effect is obtained that one would have in looking over the side car of a balloon. The figures of the people below are mere dots, and the buildings are seen in complete groups.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a historical documentary showcasing the Paris Exposition, focusing on its spectacle, technological advancements, and cultural displays without presenting a narrative or explicit ideological message.
This film, a historical record of the Paris Exposition, documents the event and its participants without intentional casting choices for diversity. Its narrative focuses on the exposition itself, rather than engaging in critical portrayals of traditional identities or explicit DEI themes.
Secondary
Without any plot details or character information for 'Paris Exposition', it is impossible to evaluate the presence or portrayal of LGBTQ+ characters and themes. Therefore, no assessment of its net impact can be made.
As a short, silent documentary from 1900 showcasing scenes from the Paris Exposition, the film does not contain any narrative, plot, or identifiable characters. Consequently, there are no discernible transsexual characters or themes present for evaluation.
The movie does not contain any action or adventure elements.
This film is a historical documentary of the 1900 Paris Exposition, not an adaptation of existing source material with established characters. It depicts real people and events as they were, without reimagining or altering the gender of any canonical or historical figures.
The film "Paris Exposition (1900)" is a historical record of an event, not a narrative film with named characters. There are no pre-existing canonical or historical characters whose race could be altered.
Viewer Rating Breakdown
User Ratings
5.2
N/A
Critic Ratings
N/A
N/A
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