Viewer Rating
Combines user and critic ratings from four sources
Drama • 2010 • 139 min

A South Korean woman in her sixties enrolls in a poetry class while quietly confronting early memory loss and a devastating secret about her grandson. Director Lee Chang-dong uses that quiet setup to examine moral courage against collective silence. The Leans Progressive label follows from the film's central concern: a community of families, mostly privileged, choosing to bury a serious crime rather than face it. The lone figure pushing toward honesty is elderly and female, which the film frames as a quiet indictment of how power and gender interact in that silence. Family structures here are portrayed as complicit rather than protective, and individual conscience carries more weight than institutional or familial authority.
Yun Jeong-hie • Lee Da-wit • Kim Hee-ra
A South Korean woman in her sixties enrolls in a poetry class while quietly confronting early memory loss and a devastating secret about her grandson. Director Lee Chang-dong uses that quiet setup to examine moral courage against collective silence. The Leans Progressive label follows from the film's central concern: a community of families, mostly privileged, choosing to bury a serious crime rather than face it. The lone figure pushing toward honesty is elderly and female, which the film frames as a quiet indictment of how power and gender interact in that silence. Family structures here are portrayed as complicit rather than protective, and individual conscience carries more weight than institutional or familial authority.
Yun Jeong-hie • Lee Da-wit • Kim Hee-ra
The film critiques societal indifference and the cover-up of sexual assault by powerful families, highlighting issues of class privilege and corruption. Its dominant themes align with progressive values through its focus on empathy and individual moral responsibility in the face of systemic injustice.
The movie features a cast appropriate to its South Korean setting, without engaging in explicit race or gender swaps of traditionally Western roles. The narrative focuses on an elderly woman's personal journey and moral struggles, with the negative portrayal of certain male characters stemming from their specific criminal actions rather than a broad critique of traditional identities.
The film portrays a severe breakdown of moral authority within family units, particularly questioning parental authority and depicting existing marriages as dysfunctional or complicit in corruption, rather than idealizing traditional family norms.
The film "Poetry" does not feature any identifiable LGBTQ+ characters or themes. Its narrative is entirely focused on an elderly woman's personal journey, her engagement with poetry, and her moral reckoning with a family tragedy. The story does not touch upon sexual orientation or gender identity in any capacity.
The film 'Poetry' does not feature any identifiable transsexual characters or themes. The narrative focuses on an elderly woman's journey of self-discovery through poetry amidst a family crisis, without engaging with transgender identities or experiences.
The movie does not contain any action or adventure elements.
The film "Poetry" is an original story with characters created specifically for this production. There are no pre-existing source materials, historical figures, or prior adaptations from which character genders could have been swapped.
The film "Poetry" is an original South Korean production with an original screenplay. Its characters were created specifically for this film and do not have pre-existing canonical or historical racial identities from source material or prior adaptations. Therefore, no race swaps occurred.
Not depicted in the film.
Combines user and critic ratings from four sources























