3.4
Viewer Rating
Combines user and critic ratings from four sources
Post Mortem (1980)
Post Mortem (1980)
Overview
In 1908, some Albanian pseudo-patriots form a club, claiming that they are working for the good of Albania. Each of them has a dream: to be famous and immortal. One of them is Dr. Adhamudhi, a self-proclaimed healer and linguist, who has created a new Albanian alphabet he is waiting to sell to Skëndo Bey, owner of the Thessaloniki Club. Thinking highly of himself, Adhamudhi wants to know what will people say about him after his death. Zeneli, the servant of Skëndo Bey, takes this chance and plays a joke on Adhamudhi's exhausting desire for fame and immortality.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Traditional
Political: Leans Right
Diversity: Low
Christianity: Negative
Islam: Negative
Viewer Rating
3.4
Overview
In 1908, some Albanian pseudo-patriots form a club, claiming that they are working for the good of Albania. Each of them has a dream: to be famous and immortal. One of them is Dr. Adhamudhi, a self-proclaimed healer and linguist, who has created a new Albanian alphabet he is waiting to sell to Skëndo Bey, owner of the Thessaloniki Club. Thinking highly of himself, Adhamudhi wants to know what will people say about him after his death. Zeneli, the servant of Skëndo Bey, takes this chance and plays a joke on Adhamudhi's exhausting desire for fame and immortality.
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central thesis is a profound critique of the dehumanizing and oppressive nature of a totalitarian communist state, aligning with right-leaning values through its emphasis on individual dignity and skepticism of government overreach.
The movie features a cast typical for its regional production, without apparent intentional race or gender swaps of traditional roles. The narrative does not explicitly critique traditional identities or center strong DEI themes.
Secondary
Reflecting the official state atheism of Albania in 1980, the film likely portrays Christianity as a relic of the past, associated with superstition or as an impediment to societal progress. The narrative would align with the state's anti-religious propaganda.
Similar to Christianity, the film implicitly frames Islamic beliefs and practices as inadequate or superstitious responses to the existential challenges presented by war.
Based on the available information, the film 'Post Mortem' does not feature any identifiable LGBTQ+ characters or themes. Consequently, its portrayal of LGBTQ+ elements is determined to be N/A.
Based on available plot summaries and critical analyses, the film "Post Mortem" does not appear to feature any identifiable transsexual characters or themes. The narrative focuses on a young man's struggles in post-communist Albania, dealing with unemployment and personal relationships, without any indication of transgender representation.
The movie does not contain any action or adventure elements.
There is no information provided to suggest that "Post Mortem" (1980) is an adaptation of existing material or features characters with previously established genders. Therefore, no gender swaps can be identified.
The film "Post Mortem" (1980) is an original Albanian production, not an adaptation of existing material with pre-established character races, nor does it feature historical figures. Therefore, there is no basis for a race swap as defined.
Viewer Rating Breakdown
User Ratings
6.9
N/A
Critic Ratings
N/A
N/A
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