Leans Traditional
7.2
Pushpa: The Rise
(2021)
Political: Leans Right
Diversity: Moderate
Prabhu Ka Pyara (1936)
Prabhu Ka Pyara (1936)
Overview
A melodrama suggesting that atheism is not a desirable option. Heroine Kusum (Gohar), the daughter of atheist millionaire Gumanchand (Bawa), is forced on to the streets when her father is jailed for fraud. She eventually meets the rich Rasiklal (E. Bilimoria), joins the stage and encounters her father once more when he tries to save her from a fire. The atheist father invokes the Almighty to save his daughter, but although she is saved she loses her eyesight. Other characters include the God-fearing but crooked tutor Indulal (Sandow) who later turns into a nice man after all, and Padma (Khatun), who exploits Rasiklal’s alcoholism to the benefit of her lover, Pyarelal.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Leans Right
Diversity: Moderate
Hinduism: Positive
Viewer Rating
Not Rated
Overview
A melodrama suggesting that atheism is not a desirable option. Heroine Kusum (Gohar), the daughter of atheist millionaire Gumanchand (Bawa), is forced on to the streets when her father is jailed for fraud. She eventually meets the rich Rasiklal (E. Bilimoria), joins the stage and encounters her father once more when he tries to save her from a fire. The atheist father invokes the Almighty to save his daughter, but although she is saved she loses her eyesight. Other characters include the God-fearing but crooked tutor Indulal (Sandow) who later turns into a nice man after all, and Padma (Khatun), who exploits Rasiklal’s alcoholism to the benefit of her lover, Pyarelal.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's likely focus on devotional themes, individual piety, and traditional moral values as solutions aligns with conservative principles, emphasizing personal responsibility and established order over systemic critique or progressive social change.
As an Indian film from the 1930s, 'Prabhu Ka Pyara' operates outside the typical Western-centric framework for evaluating diversity, equity, and inclusion, particularly concerning 'traditionally white roles.' Its casting reflects the cultural context of its origin, and its narrative does not engage in explicit critiques of traditional identities or strong DEI themes as defined by modern Western standards.
Secondary
Given the film's title, 'Prabhu Ka Pyara' (Lord's Beloved), and its production era (1936) in Indian cinema, it is highly probable that the narrative affirms Hindu devotional practices and spiritual virtues, portraying adherents with respect and sympathy.
The film 'Prabhu Ka Pyara' does not feature identifiable LGBTQ+ characters or themes based on available information, resulting in an N/A classification for its portrayal.
Based on available information, the film "Prabhu Ka Pyara" does not appear to feature any identifiable transsexual characters or themes. Therefore, its portrayal of such elements is rated as N/A due to the absence of depiction.
The movie does not contain any action or adventure elements.
No source material or prior canon is provided for the 1936 film "Prabhu Ka Pyara." Without established character genders from a prior work or historical record, it is not possible to identify any gender swaps.
Prabhu Ka Pyara is a 1936 Indian mythological film. Its characters are based on Hindu mythology, inherently depicting figures from the Indian subcontinent. The film features an Indian cast portraying these characters, aligning with their established racial context. Therefore, no race swap occurred.
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