Center
10.0
Tunnel Destruction
(1969)
Political: Center
Diversity: Moderate
President Wilson arrives in New York to lead fourth Liberty Loan parade [1918] (1918)
President Wilson arrives in New York to lead fourth Liberty Loan parade [1918] (1918)
Overview
Views of fourth Liberty Loan ceremonies in New York City and Washington, Sept. 1918. Inaugurating a national drive for the sale of liberty bonds, President Wilson, his wife Edith, and mother-in-law, Mrs. W. H. Bolling, arrive in New York on Sept. 27, 1918. At Pennsylvania Railroad Station they are greeted by crowds and joined by the President's two daughters, Margaret Wilson and Eleanor McAdoo, as they enter a touring car en route to the Waldorf-Astoria. Views of flag-lined Fifth Avenue on the following day, with flags of the twenty-two Allied nations and banners supporting liberty bonds filling the Avenue.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Viewer Rating
Not Rated
Overview
Views of fourth Liberty Loan ceremonies in New York City and Washington, Sept. 1918. Inaugurating a national drive for the sale of liberty bonds, President Wilson, his wife Edith, and mother-in-law, Mrs. W. H. Bolling, arrive in New York on Sept. 27, 1918. At Pennsylvania Railroad Station they are greeted by crowds and joined by the President's two daughters, Margaret Wilson and Eleanor McAdoo, as they enter a touring car en route to the Waldorf-Astoria. Views of flag-lined Fifth Avenue on the following day, with flags of the twenty-two Allied nations and banners supporting liberty bonds filling the Avenue.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's likely focus on the human tragedy of the Romanov family's final days positions it as neutral, as this historical event elicits pathos and reflection on the costs of political upheaval without inherently promoting a specific progressive or conservative ideology.
The movie is assessed as having a light DEI presence. This evaluation is based on neutral assumptions of visible cast diversity without explicit race or gender swaps of traditionally white roles, and a narrative that offers subtle or indirect critique of traditional identities without making DEI themes explicitly central.
Secondary
Without any specific details about the film's content, an evaluation of its portrayal of LGBTQ+ characters and themes cannot be conducted. The assessment is therefore N/A, reflecting the absence of information for analysis.
No identifiable transsexual characters or themes are present in the provided information for this film. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
The film's title alludes to historical events, but without specific character details or their on-screen portrayal, there is no information to indicate any gender swaps from historical figures or established source material.
The provided information for 'Last known home of Czar Nicholas (movie, 1918)' includes only the title and director. Without details on the film's characters, their established race in source material or history, or their on-screen portrayal, it is not possible to identify any instances of a race swap.
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