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Raaz 3 (2012)
When an ingénue's sudden popularity threatens to shove her out of the spotlight, a movie star uses black magic in an attempt to derail her career.
When an ingénue's sudden popularity threatens to shove her out of the spotlight, a movie star uses black magic in an attempt to derail her career.
The film's central conflict revolves around individual ambition, jealousy, and the moral consequences of using black magic, culminating in a personal journey of redemption, which are largely apolitical and focus on universal moral dilemmas rather than specific political ideologies.
The film features a cast that is traditional for its Indian origin, without engaging in explicit race or gender swaps of roles typically associated with Western cinema. Its narrative centers on a supernatural horror plot driven by individual character motivations, and it does not explicitly critique or negatively frame traditional identities from a diversity, equity, and inclusion perspective.
The film depicts black magic and tantric practices, culturally associated with fringe aspects of Hinduism, as genuinely powerful and destructive forces. These rituals are used for malevolent purposes, causing immense suffering, and the narrative validates their efficacy without offering a positive counter-narrative from within the faith.
Raaz 3 does not feature any identifiable LGBTQ+ characters, relationships, or themes. The story centers on a fading actress's use of black magic against a rival, with all depicted relationships and character arcs being heterosexual. Consequently, there is no LGBTQ+ portrayal to evaluate.
Raaz 3 is a supernatural horror film focused on a fading actress using black magic against a rival. A thorough review of the plot and character descriptions reveals no identifiable transsexual characters or themes present in the narrative. Therefore, the film has no net impact on the portrayal of transsexual identity.
The movie does not contain any action or adventure elements.
Raaz 3 is an original story within the Raaz film series, introducing new characters. There are no instances of characters who were previously established as one gender in source material, prior installments, or history being portrayed as a different gender in this film.
Raaz 3 is an original film within a series, not an adaptation of pre-existing source material or a biopic. Its characters were created for the screen without a prior canonical racial establishment, thus precluding any race swaps.
Combines user and critic ratings from four sources























