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Ran (1985)
Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.
Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.
The film's profound critique of human nature, ambition, and the cyclical nature of violence transcends specific political ideologies, offering a universal, fatalistic commentary without championing a particular political solution or viewpoint.
The film features traditional casting authentic to its feudal Japanese setting, with an entirely Japanese cast. Its narrative explores universal themes of power and human nature without engaging in explicit critiques of traditional identities or incorporating DEI themes as central to its story.
Ran adapts Shakespeare's King Lear, transforming King Lear's three daughters—Goneril, Regan, and Cordelia—into three sons: Taro, Jiro, and Saburo, respectively. This constitutes a clear gender swap for multiple major characters from the source material.
The film portrays Buddhist ideals of peace, compassion, and forgiveness through the sympathetic character of Lady Sue and the suffering monks. While these virtues are tragically ineffective against human cruelty, the narrative frames this as a condemnation of humanity's folly, not of Buddhism itself, thus affirming the dignity of the faith.
Ran, an epic historical drama, does not feature any identifiable transsexual characters or themes. The narrative centers on a warlord's decline and family conflicts, with no plot points or character arcs related to transsexual identity. Therefore, the film receives an N/A rating for its portrayal of transsexual characters and themes due to their complete absence.
The film features prominent female characters who exert influence through political manipulation and personal relationships. However, none of these characters are depicted engaging in or winning close-quarters physical combat against male opponents.
Ran is a Japanese adaptation of Shakespeare's King Lear, set in feudal Japan with Japanese characters played by Japanese actors. The film reimagines the story within a new cultural and racial context rather than changing the race of established characters from the original play.
Combines user and critic ratings from four sources






















