Viewer Rating
Combines user and critic ratings from four sources

Red Sonja (2025)
A young girl rises from the ashes of tragedy to become the most feared warrior woman of all time: the She-Devil with a Sword.
A young girl rises from the ashes of tragedy to become the most feared warrior woman of all time: the She-Devil with a Sword.
The film explicitly promotes a progressive, anti-authoritarian ideology by critiquing tyrannical control, the misuse of technology driven by greed, and advocating for individual empowerment and unity among marginalized groups against oppression.
The film consciously embraces diversity, equity, and inclusion themes, particularly focusing on female empowerment, rejecting the male gaze, and featuring diverse casting. Its narrative addresses themes of colonialism and trauma, positioning it as a female-empowered and inclusive fantasy that updates the character's legacy to align with contemporary DEI values.
The film *Red Sonja* (2025) offers a primarily positive, subtextual portrayal of transsexual themes through its exploration of identity, transformation, and nonconformity. It normalizes fluid gender roles and frames the protagonist's journey as a metaphor for self-acceptance and empowerment relevant to the trans community.
The film features Red Sonja and other female characters who repeatedly engage in and win close-quarters physical combat scenes against multiple male opponents, utilizing swords and hand-to-hand techniques. These victories occur in various settings, including arena battles and final confrontations.
Red Sonja (2025) emphasizes unity among diverse outcasts and female empowerment, moving away from earlier sexist adaptations. While promoting inclusivity thematically, the film does not explicitly feature LGBTQ+ characters or themes in its plot or character development, offering a metaphorical rather than direct representation of marginalized groups.
The 2025 film Red Sonja portrays all characters, including Red Sonja herself, with genders consistent with their established source material depictions. There are no instances where a character's on-screen gender differs from their canonical or original gender.
The film's casting of Red Sonja, while diverging in specific European ethnicity and appearance from the source material, remains within the same broader racial category (White/Caucasian). All other major characters are original creations or lack established racial backgrounds in prior canon. Therefore, no character meets the definition of a race swap.
Combines user and critic ratings from four sources























