Center
6.7
Seer Movie 6: Invincible Puni
(2017)
Political: Center
Diversity: Moderate
Resurrection Incense (1941)
Resurrection Incense (1941)
Overview
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Center
Political: Center
Diversity: Moderate
Trans: Positive
Viewer Rating
Not Rated
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The decisive factor for this neutral rating is the absence of information regarding the film's content, including its ideological context, thematic evidence, and proposed solutions, which prevents an objective bias assessment.
Based solely on the provided title and director, and in the absence of specific details regarding the movie's casting, character diversity, or narrative themes, this evaluation assumes a neutral stance. No explicit DEI-driven casting or traditional framing could be identified, nor any overt critique or endorsement of traditional identities within the narrative.
Secondary
Resurrection Incense features a central character identified as a 'transvestite' who struggles with their gender identity and desire to be a woman. The film explores their complex internal world and a love story with a prostitute. Reviews indicate a sensitive, empathetic, and respectful portrayal, affirming the character's worth and dignity despite their struggles, avoiding negative stereotypes.
The film 'Resurrection Incense' could not be evaluated for its portrayal of LGBTQ+ characters and themes, as no specific plot or character details were supplied to conduct the analysis according to the rubric.
The movie does not contain any action or adventure elements.
The 1941 Chinese film "Resurrection Incense" is an obscure drama. There is no readily available information to suggest it is an adaptation of a source material with characters whose established genders were altered in this production.
The film "Resurrection Incense" (1941) is a Chinese production adapting a traditional Chinese opera. There is no historical or canonical evidence suggesting that characters, originally established as East Asian, were portrayed by actors of a different race.
More Like This
Leans Progressive
8.1
Blind Shaft
(2003)
Political: Strong Left
Diversity: Moderate
Leans Traditional
7.2
The Eight Hundred
(2020)
Political: Leans Right
Diversity: Moderate
Center
8.3
Hero
(2002)
Political: Leans Right
Diversity: Moderate
Female Combat: Yes
Progressive
8.4
Farewell My Concubine
(1993)
Political: Center
Diversity: High
LGBTQ: Positive
Center
6.8
Trapped
(2025)
Political: Center
Diversity: Moderate
Leans Traditional
7.0
Pegasus 2
(2024)
Political: Center
Diversity: Low
Leans Traditional
6.9
The Strangers in Beijing
(1995)
Political: Center
Diversity: Low
Leans Progressive
6.8
My Love
(2021)
Political: Strong Left
Diversity: Moderate
Leans Progressive
6.8
Curse of the Golden Flower
(2006)
Political: Center
Diversity: High
Center
6.8
Mongolian Ping Pong
(2005)
Political: Center
Diversity: Moderate
Leans Traditional
7.0
Lust, Caution
(2007)
Political: Center
Diversity: Low
Center
7.3
Fearless
(2006)
Political: Center
Diversity: Moderate
Center
8.1
House of Flying Daggers
(2004)
Political: Center
Diversity: Low
Female Combat: Yes
Center
7.0
Us and Them
(2018)
Political: Center
Diversity: Moderate
Center
7.5
Deep Sea
(2023)
Political: Center
Diversity: Moderate
Traditional
6.9
Mr. Six
(2015)
Political: Leans Right
Diversity: Low
Leans Traditional
7.3
Youth
(2017)
Political: Center
Diversity: Low
Center
8.1
One Second
(2020)
Political: Center
Diversity: Moderate
Center
6.6
Moon Man
(2022)
Political: Center
Diversity: Moderate