2.3
Viewer Rating
Combines user and critic ratings from four sources
Rigadin Tames his Mother-in-Law (1913)
Rigadin Tames his Mother-in-Law (1913)
Overview
Worn down by the hectoring behaviour of his mother-in-law, Rigadin finally flips. He gives her a sound whipping, threatens her with a gun and finally sends her packing in an animal cage.
Starring Cast
Rating & Dimensions
Bias Rating
Analyzing...
Leans Traditional
Political: Center
Diversity: Low
Viewer Rating
2.3
Overview
Worn down by the hectoring behaviour of his mother-in-law, Rigadin finally flips. He gives her a sound whipping, threatens her with a gun and finally sends her packing in an animal cage.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter, a man dealing with his mother-in-law, is a classic comedic trope that is inherently apolitical and does not promote or critique any specific political ideology.
This early 20th-century French silent film features traditional casting, consistent with the period's industry practices, without intentional diversity in character representation. The narrative is a domestic comedy that does not engage in critical portrayals of traditional identities or incorporate explicit DEI themes.
Secondary
This 1912 silent comedy centers on Rigadin's efforts to control his mother-in-law. Based on available plot details and historical context, the film does not feature any identifiable LGBTQ+ characters or themes. Therefore, its net impact on LGBTQ+ representation is N/A due to a lack of depiction.
This early 20th-century silent comedy, 'Rigadin Tames his Mother-in-Law,' does not feature any identifiable transsexual characters or themes. Its plot revolves around a man's comedic struggles with his mother-in-law, typical of the domestic farces of its era, with no content related to transgender identity.
The movie does not contain any action or adventure elements.
The film features original characters from the Rigadin comedy series. There is no evidence of these characters being established with a different gender in prior source material, history, or previous installments.
This 1913 film is an original work for its time, not an adaptation of pre-existing material with established character races, nor a biopic. There is no evidence of characters being canonically or historically established as one race and then portrayed as another.
Viewer Rating Breakdown
User Ratings
4.6
N/A
Critic Ratings
N/A
N/A
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